Bach

Johann Sebastian Bach

Johann Sebastian Bach (lahir di Eisenach, Jerman, 21 Maret 1685 – meninggal 28 Juli 1750 pada umur 65 tahun adalah seorang komponis Jerman. Ia menggubah musik untuk alat musik organ, harpsichord, clavichord, dan juga untuk orkestra. Ia telah menggubah lebih dari 1000 lagu. Set lagu oleh Bach Brandenburg Concertos, lagu gereja Mass in B minor, adalah yang paling terkenal. Para musikolog membagi seluruh komposisi Bach dalam lima masa, masing-masing komposisi memperlihatkan perbedaan gaya yang cukup spesifik jika saling dibandingkan tahun pembuatannya. Yang membuat gaya lagu Bach berbeda dari yang lain adalah bahwa semua lagu yang dibuatnya baik lagu Jesu Joy of Man’s Desiring atau lagu yang kebanyakan dibuatnya ditujukan untuk Tuhan.

Masa Kanak-kanak

Tempat tinggal Bach

Bach lahir di Eisenach, bagian dari Saxe-Eisenach, dalam sebuah keluarga besar yang menikmati musik. Ayahnya, Johann Ambrosius Bach, adalah direktur musisi kota, dan semua pamannya adalah musisi profesional. Ayahnya mungkin mengajarinya bermain biola dan piano, dan saudaranya, Johann Christoph Bach, mengajarinya clavichord dan membuat dia bermain banyak musik kontemporer. Atas inisiatifnya sendiri, Bach sekolah di St. Michael di Lüneburg selama dua tahun. Setelah lulus, ia memegang beberapa jabatan musik di Jerman: ia menjabat sebagai dirigen (direktur musik) untuk Leopold, Prince of Anhalt-Köthen, dan sebagai Thomaskantor di Leipzig, posisi direktur musik di gereja-gereja Lutheran utama dan pengajar di Thomasschule. Ia menerima gelar "Royal Court Composer" dari Augustus III pada tahun 1736. kesehatan dan penglihatan Bach menurun pada 1749, dan ia meninggal pada 28 Juli 1750.

Gereja St. George's di Eisenach

Johann Sebastian Bach lahir di Eisenach, ibukota Saxe-Eisenach, sekarang adalah Jerman, pada 21 Maret 1685 OS (31 Maret 1685 N.S.). Dia adalah anak dari Johann Ambrosius Bach, direktur musisi kota, dan Maria Elisabeth Lämmerhirt. Ia adalah anak kedelapan dan bungsu dari Johann Ambrosius, yang mengajarinya biola dan dasar-dasar teori musik. Pamannya semua musisi profesional, termasuk organis gereja, musisi court chamber, dan komposer. Pamannya, Johann Christoph Bach (1645-1693), memperkenalkan dia kepada organ, dan sepupu kedua yang lebih tua, Johann Ludwig Bach (1677-1731), adalah seorang komponis terkenal dan pemain biola.

Organ The Wender di Arnstadt

Ibu Bach meninggal pada tahun 1694, dan ayahnya meninggal delapan bulan kemudian. Bach, berusia 10 tahun, kemudian dia pindah dengan saudaranya tertuanya, Johann Christoph Bach (1671-1721), pemain organ di Gereja St Michael di Ohrdruf, Saxe-Gotha-Altenburg. Ia belajar, melakukan pertunjukan, dan menyalin musik, termasuk saudaranya sendiri, meskipun dilarang untuk melakukannya karena skor musik sangat berharga dan kertas buku pribadi dan kosong mahal harganya. Ia menerima pelajaran berharga dari saudaranya, yang memerintahkan dia di clavichord. JC Bach mengunjukkan dia kepada karya-karya komponis besar, termasuk komposer Jerman Selatan seperti Johann Pachelbel (dimana Johann Christoph pernah belajar) dan Johann Jakob Froberger; Komposer Jerman Utara; Perancis, seperti Jean Baptiste Lully-, Louis Marchand, Marin Marais; dan clavieriste Italia Girolamo Frescobaldi. Pada saat itu juga dia diajarkan Teologi , Latin, Yunani, Prancis, dan Italia di gymnasium lokal. 

Pada usia 14 tahun, Bach, bersama dengan teman sekolahnya yang lebih tua Georg Erdmann, mendapat beasiswa paduan suara untuk belajar di sekolah bergengsi St Michael di Lüneburg di Kerajaan Lüneburg. Meskipun tidak diketahui secara pasti, perjalanan itu kemungkinan dilakukan sebagian besar dengan berjalan kaki. Selama dua tahun disana merupakan masa penting dimana dia mengenal budaya Eropa dengan segi yang lebih luas. Selain bernyanyi di paduan suara ia memainkan three-manual organ dan harpsichord. Ia mengenal anak-anak bangsawan dari Jerman Utara dikirim ke sekolah sangat selektif untuk mempersiapkan karir dalam disiplin lain.

Sementara di Lüneburg, Bach memiliki akses ke Gereja St. John dan memainkan organ terkenal gereja dari 1553, karena dimainkan oleh guru organnya Georg Bohm. Mengingat bakat musiknya, Bach memiliki kontak signifikan dengan Bohm sementara siswa di Lüneburg, dan juga mengambil perjalanan ke Hamburg terdekat di mana ia mengamati "the great North German organist Johann Adam Reincken". Stauffer melaporkan penemuan pada tahun 2005 dari tablatures organ yang menulis Bach ketika masih remaja dari bekerja dengan Reincken dan Dieterich Buxtehude, menunjukkan "sebuah disiplin, metodis, remaja terlatih sangat berkomitmen untuk belajar keahliannya". 

Weimar, Arnstadt, dan Mühlhausen (1703-1708)

Gereja St. Mary's di Lübeck

Pada bulan Januari tahun 1703, tak lama setelah lulus dari St Michael dan tidak mendapatkan jabatan organis di Sangerhausen, Bach mendapatkan pekerjaan sebagai musisi di kapel Duke Johann Ernst III di Weimar. Perannya ada tidak jelas, tapi mungkin termasuk kasar, tugas non-musik. Selama masa tujuh bulan di Weimar, reputasinya sebagai keyboardist semakin dikenal sehingga ia diundang untuk memeriksa organ baru, dan memberikan resital perdana, di Gereja St. Bonifasius di Arnstadt, terletak sekitar 30 kilometer (19 mil) barat daya Weimar. Pada Agustus 1703, ia menjadi pemain organ di St Bonifasius, dengan tugas ringan, gaji yang relatif kecil, dan memperbaiki organ baru dengan sistem marah modern yang memungkinkan berbagai note digunakan.

Meskipun memiliki hubungan keluarga yang kuat dan penguasa musik yang antusias, ketegangan antara Bach dan otoritas setelah beberapa tahun terjadi. Bach tidak puas dengan standar penyanyi dalam paduan suara, sementara majikannya kecewa dengan ketidakhadirannya dari Arnstadt; Bach pergi selama beberapa bulan pada tahun 1705-1706, untuk bermain organ besar dan menemui komposer Dieterich Buxtehude dan Abendmusiken di Gereja St. Mary di utara kota Lübeck. Kunjungan ke Buxtehude melibatkan 450-kilometer (280 mil) perjalanannya dilakukan dengan berjalan kaki.

Foto Bach Masih Muda

Pada tahun 1706, Bach telah ditawarkan sebuah posisi sebagai organis di Gereja St. Blasius di Mühlhausen, yang ia lakukan di tahun berikutnya. Ini termasuk remunerasi signifikan yang lebih tinggi, kondisi membaik, dan paduan suara yang lebih baik. Empat bulan setelah tiba di Mühlhausen, Bach menikah Maria Barbara Bach, sepupu keduanya. Mereka memiliki tujuh anak, empat di antaranya hidup sampai dewasa, termasuk Wilhelm Friedemann Bach dan Carl Philipp Emanuel Bach yang menjadi komposer juga. Bach meyakinkan pemerintah gereja dan kota di Mühlhausen untuk mendanai renovasi mahal dari organ di Gereja St. Blasius. Bach, pada gilirannya, menulis sebuah rumit, meriah kantata-Gott ist mein König (BWV 71) -untuk pelantikan dewan baru di 1708. Dewan dibayar mahal untuk publikasi, dan itu sukses besar. 

Kembali ke Weimar (1708-1717)

Pada tahun 1708, Bach meninggalkan Mühlhausen, kembali ke Weimar sebagai organis dan dari tahun 1714  sebagai Konzertmeister (direktur musik) di kediaman bangsawan, dimana ia memiliki kesempatan untuk bekerja dengan baik yang didanai kontingen musisi profesional. Bach dan istrinya pindah ke sebuah rumah dekat dengan istana bangsawan. Kemudian pada tahun yang sama, anak pertama mereka lahir dan tua, adik yang belum menikah Maria Barbara bergabung dengan mereka. Dia tetap untuk membantu menjalankan rumah tangga sampai kematiannya pada 1729.

 

Sonata No. 1 in G minor for solo violin

Waktu Bach di Weimar adalah awal dari periode yang berkelanjutan menyusun keyboard dan karya orkestra. Dia mencapai kemampuan dan kepercayaan diri untuk memperpanjang struktur yang berlaku dan untuk memasukkan pengaruh dari luar negeri. Ia belajar menulis opening dramatis dan mempekerjakan irama bermotor dinamis dan menemukan skema harmonik dalam musik di Italia seperti Vivaldi, Corelli, dan Torelli. Bach menyerap aspek-aspek gaya seperti Vivaldi's string dan wind concertos untuk harpsichord dan organ; banyak dari karya asli ini masih rutin dimainkan. Bach terutama tertarik dengan gaya Italia di mana satu atau lebih instrumen solo bagian-per-bagian dengan orkestra penuh seluruh gerakan.

Di Weimar, Bach terus bermain dan menulis untuk organ, dan untuk melakukan konser musik dengan ansambel the duke. Ia juga mulai menulis preludes dan fugues yang kemudian dirakit menjadi karya monumentalnya The Well-Tempered Clavier (Das Wohltemperierte Klavier- "Klavier" yang berarti clavichord atau piano), yang terdiri dari dua buku, yang disusun pada tahun 1722 dan 1744, masing-masing berisi 24 prelude dan fugues di setiap kunci mayor dan minor.

Di Weimar Bach Juga mulai bekerja dari Little Organ Book, yang berisi chorales Lutheran tradisional (lagu himne) diatur dalam tekstur yang kompleks. Pada tahun 1713, Bach telah ditawarkan sebuah posisi di Halle ketika ia menyarankan pemerintah selama renovasi oleh Christoph Cuntzius dari organ utama dalam galeri barat dari the Market Church of Our Dear Lady. Johann Kuhnau dan Bach memainkan ini lagi ketika diresmikan pada 1716. 

Pada musim semi 1714, Bach dipromosikan menjadi Konzertmeister, suatu kehormatan yang mensyaratkan melakukan kantata gereja bulanan di gereja istana. Tiga Kantata pertama Bach di Weimar yang  terdiri  dari
Himmelskönig, sei willkommen, BWV 182, untuk Palm Sunday, yang dipadukan dengan the Annunciation that year, Weinen, Klagen, Sorgen, Zagen, BWV 12, untuk Jubilate Sunday, dan Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 untuk Pentecost.Kantata pertama Bach untuk Christmas Christen, ätzet diesen Tag, BWV 63 yang ditayangkan perdana pada 1714 atau 1715.

Pada tahun 1717, Bach akhirnya jatuh dari kenikmatan di Weimar dan menurut laporan sekretaris pengadilan, dipenjara selama hampir satu bulan sebelum diberhentikan secara tidak hormat : "Pada tanggal 6 November, (1717), yang concertmaster dan organ Bach tempat County Hakim penahanan terlalu keras memaksa isu pemecatannya dan akhirnya pada tanggal 2 dibebaskan dari tahanan dengan pemberitahuan dari debit yang tidak menguntungkan itu".

Köthen (1717-1723)

Segel Surat Bach

Leopold, Prince of Anhalt-Köthen menyewa Bach untuk bermain sebagai dirigen (direktur musik) pada tahun 1717. Pangeran Leopold, yang juga seorang musisi, menghargai bakat Bach, dia dibayar dengan baik, dan memberinya ruang yang cukup besar dalam menulis dan melakukan pertunjukan. Pangeran Leopold adalah seorang Calvinis dan tidak menyukai musik yang rumit dalam ibadahnya; sebagian besar karya Bach dari periode ini adalah sekuler, termasuk the orchestral suites, the cello suites, the sonatas dan partitas for solo violin, dan the Brandenburg Concertos. Bach juga mengkomposisi  secular cantatas untuk the court seperti Die Zeit, die Tag und Jahre macht, BWV 134a. Sebuah pengaruh yang signifikan terhadap perkembangan musik Bach selama bertahun-tahun bersama Pangeran dicatat oleh Stauffer sebagai gaya Bach "pelukan lengkap musik dansa, mungkin pengaruh yang paling penting pada gaya matang selain adopsi nya musik Vivaldi di Weimar".

Gereja St. Thomas di Leipzig

Meskipun lahir di tahun yang sama dan terpisah hanya sekitar 130 kilometer (81 mil), Bach dan Handel pernah bertemu. Pada tahun 1719, Bach melakukan perjalanan 35-kilometer (22 mil) dari Köthen ke Halle dengan maksud untuk bertemu Handel, namun Handel telah meninggalkan kota. Pada tahun 1730, anak tertua Bach, Wilhelm Friedemann, melakukan perjalanan ke Halle untuk mengundang Handel untuk mengunjungi keluarga Bach di Leipzig, tapi Handel tidak pernah melakukan kunjungan itu.

Pada tanggal 7 Juli 1720, sementara Bach berada jauh di Carlsbad dengan Pangeran Leopold, istri Bach tiba-tiba meninggal. Tahun berikutnya, ia bertemu Anna Magdalena Wilcke, wanita muda, sangat berbakat soprano dan enam belas  tahun lebih muda, yang tampil di Court di Köthen; mereka menikah pada tanggal 3 Desember 1721. Mereka memiliki tiga belas anak lagi, enam di antaranya selamat sampai dewasa: Gottfried Heinrich; Elisabeth Juliane Friederica (1726-1781), yang menikah iBach Johann Christoph, murid Altnickol; Johann Christoph Friedrich dan Johann Christian, yang kedua, terutama Johann Christian, menjadi musisi berbakat; Johanna Carolina (1737-1781); dan Regina Susanna (1742-1809).

Leipzig (1723-1750)

Gereja St. Nicholas di Leipzig, tahun 1850

Pada tahun 1723, Bach diangkat sebagai Thomaskantor, Cantor dari sebuah Thomasschule di Thomaskirche (Gereja St. Thomas) di Leipzig yang bertugas melayani empat gereja di kota, Thomaskirche, Nikolaikirche (Gereja St. Nicholas), dan tingkat lebih rendah Neue Kirche (Gereja Baru) dan Peterskirche (Gereja St. Peter), dan direktur musik dari fungsi publik seperti pemilihan dewan kota dan homages. posisi bergengsi the mercantile city di the Electorate of Saxony, yang dipegangnya selama dua puluh tujuh tahun sampai kematiannya. Ini membawanya mempunyai hubungan dengan politikus yang  bermasalah dengan majikannya, dewan kota Leipzig.

Bach mengajari siswa dari Thomasschule dalam bernyanyi dan untuk menyediakan musik gereja untuk gereja-gereja utama di Leipzig. Bach juga mengajar bahasa Latin, dan dia diperbolehkan untuk mempekerjakan seorang wakil untuk melakukan hal ini sebagai gantinya. Sebuah cantata diperlukan untuk layanan gereja pada hari Minggu dan hari libur gereja tambahan selama the liturgical year. Dia biasanya melakukan pertunjukan cantatanya sendiri, yang sebagian besar dibuat selama tiga tahun pertamanya di Leipzig. Yang pertama adalah Die Elenden sollen essen, BWV 75, pertama kali dipertunjukan di Nikolaikirche pada tanggal 30 Mei 1723, hari Minggu pertama setelah Trinity. Bach mengumpulkan semua cantata dalam annual cycles. Lima diantaranya dipertunjukan dalam obituaries, tiga lainnya masih ada. Dari lebih dari tiga ratus cantata yang Bach buat di Leipzig, lebih dari seratus diantaranya telah hilang. Sebagian besar karyanya ditampilkan pada bacaan Injil yang dilakukan untuk setiap hari Minggu dan hari raya di tahun Lutheran. Bach memulai annual cycle kedua hari Minggu pertama setelah Trinitas 1724, dan hanya terdiri cantata paduan suara, masing-masing berdasarkan himne gereja tunggal. Ini termasuk O Ewigkeit, du Donnerwort, BWV 20, Wachet auf, ruft uns mati Stimme, BWV 140, Nun komm, der Heiden Heiland, BWV 62, dan Wie schön leuchtet der Morgenstern, BWV 1.

Café Zimmermann di Leipzig

Bach menarik seorang soprano dan alto choristers dari Sekolah, dan seorang tenor dan bass dari Sekolah dan di tempat lain di Leipzig. Untuk tampil di pernikahan dan pemakaman yang membuat penghasilan tambahan bagi kelompok-kelompok ini; itu mungkin tujuannya, dan juga untuk pelatihan di sekolah, ia menulis setidaknya enam motets. Sebagai bagian dari pekerjaan gereja, ia memainkan motets komposer lain', yang membuat model formalnya sendiri.

Pendahulu Bach sebagai Cantor, yaitu Johann Kuhnau, yang juga menjadi music director untuk Paulinerkirche, gereja Universitas Leipzig. Tapi ketika Bach bekerja sebagai Cantor tahun 1723, ia ditugaskan hanya untuk pertunjukan musik "festal" (liburan gereja) di Paulinerkirche; permohonannya untuk memainkan musik juga untuk layanan Minggu reguler (untuk menambah kenaikan gaji) diajukan ke Raja Augustus II tetapi ditolak. Setelah itu, pada tahun 1725, Bach "kehilangan minat" untuk bekerja bahkan untuk layanan  yang meriah di Paulinerkirche dan hanya muncul di sana pada "acara-acara khusus". The Paulinerkirche memiliki organ lebih baru (1716) yang jauh lebih baik dan  baru daripada di Thomaskirche atau Nikolaikirche. Bach telah berkonsultasi secara resmi tentang the 1716 organ setelah lengkap, didatang dari Köthen, dan dilaporankan. Bach tidak diharuskan untuk bermain organ dalam tugas resminya, namun ia suka bermain organ di Paulinerkirche "untuk kesenangan sendiri".

Bach memperluas dalam mengkomposisi dan melakukan pertunjukan di luar liturgi dengan mengambil alih jabatan direktur Collegium Musicum pada Maret 1729, sebuah pertunjukan ensemble sekuler dimulai oleh komposer Georg Philipp Telemann. Perkumpulan ini adalah salah satu dari perkumpulan masyarakat swasta di kota besar berbahasa Jerman yang didirikan oleh mahasiswa musik aktif; masyarakat ini telah menjadi semakin penting dalam kehidupan musik masyarakat dan biasanya dipimpin oleh para profesional yang paling berbakat di kota. Christoph Wolff mengatakan, direktur adalah sebuah langkah cerdas yang "mencengkeram konsolidasi Bach pada lembaga musik utama di Leipzig". Tahun berlanjut, Leipzig Collegium Musicum dilakukan secara reguler di tempat-tempat seperti Café Zimmermann, sebuah kedai kopi di Catherine Street alun-alun pasar utama. Banyak dari karya Bach pada 1730-an dan 1740-an yang ditulis untuk dipertunjukkan di Collegium Musicum; di antaranya adalah bagian dari Clavier-Ubung (Keyboard Practice) dan banyak dari biola dan keyboard concerto-nya.

Pada tahun 1733, Bach membuat sebuah mass untuk the Dresden court (Kyrie dan Gloria)  yang kemudian karyanya ini tergabung dalam Misa di B minor. Dia mempersembahkan naskahnya ini kepada Raja Polandia, Grand Duke of Lithuania dan Elector of Saxony, Augustus III, dalam upayanya ini akhirnya berhasil membujuk raja untuk memberinya gelar Royal Court Komposer. Ia kemudian memperpanjang karyanya ini menjadi mass lengkap, dengan menambahkan sebuah Credo, Sanctus dan Agnus Dei, musik yang sebagian didasarkan pada cantata-nya baru, dan sebagian lagi baru dibuat. Penunjukan Bach sebagai court komposer adalah bagian dari perjuangan panjang untuk mencapai posisi yang lebih besar dengan dewan Leipzig. Antara tahun 1737 dan 1739, mantan murid Bach, Carl Gotthelf Gerlach, mengambil alih jabatan direktur Collegium Musicum.

Pada tahun 1747, Bach mengunjungi istana Raja Frederick II di Potsdam. Raja memainkan theme untuk Bach dan menantangnya untuk berimprovisasi dalam sebuah fugue berdasarkan theme-nya. Bach improvisasi tiga bagian fugue di salah satu Frederick fortepiano, maka hal yang baru, dan kemudian menampilkan kepada raja sebuah  Musical Offering yang terdiri dari fugues, canons dan sebuah trio berdasarkan theme ini. Enam bagian fugue ini mencakup subjek yang sedikit diubah sehingga lebih cocok untuk elaborasi secara luas.

Pada tahun yang sama, Bach bergabung dengan the Corresponding Society of the Musical Sciences (Correspondierende Societät der musikalischen Wissenschafften) of Lorenz Christoph Mizler. Pada kesempatan ini dia masuk ke dalam  the Society, Bach mengkomposisi the Canonic Variations on "Vom Himmel hoch da komm' ich her" (BWV 769). Sebuah lukisan dari masing-masing anggota biasanya diserahkan kepada the Society, sehingga pada tahun 1746, sebagai persiapan Bach masuk the Society, Bach dilukis oleh Elias Gottlob Haussmann. The Canon triplex á 6 Voc (BWV 1076) pada lukisan ini didedikasikan untuk the Society. Karya lain Bach selanjutnya juga mungkin memiliki koneksi dengan teori musik berdasarkan the Society. Salah satunya adalah The Art of Fugue, yang terdiri dari 18 fugues kompleks dan canon berdasarkan theme sederhana. The Art of Fugue hanya diterbitkan secara anumerta pada tahun 1751.

Karya besar terakhir Bach adalah the Mass in B minor (1748–49) yang digambarkan Stauffer sebagai "Karya gereja Bach yang paling universal. Terutama terdiri dari movement cantata yang ditulis selama periode tiga puluh lima tahun, itu memungkinkan Bach untuk mengevaluasi bagian vokalnya sekai lagi dan memilih pilih movement untuk revisi lebih lanjut dan diperbaiki." Meskipun mass yang lengkap tidak pernah dilakukan selama hidup sang komposer, tetapi dianggap menjadi salah satu karya paduan suara terbesar sepanjang masa.

Kematian (1750)

Kuburan Bach & altar di St. Thomas

Kesehatan Bach menurun pada tahun 1749; pada tanggal 2 Juni, Heinrich von Brühl menulis kepada salah satu burgomasters Leipzig untuk meminta direktur musik, Johann Gottlob Harrer, mengisi Thomaskantor dan Direktur musices posting "pada akhirnya kematian Mr Bach". Bach itu menjadi buta, sehingga ahli bedah mata Inggris John Taylor dua kali mengoperasi Bach saat mengunjungi Leipzig pada Maret dan April 1750.

Pada tanggal 28 Juli 1750, Bach meninggal pada usia 65 tahun. Sebuah surat kabar kontemporer melaporkan "konsekuensi bahagia operasi mata yang sangat berhasil" sebagai penyebab kematiannya. Spitta memberikan beberapa rincian. Dia mengatakan bahwa Bach meninggal terkena "ayan", stroke. Dia, dalam surat kabar, mengatakan bahwa "Pengobatan yang terkait dengan gagal operasi mata memiliki efek buruk pada kesehatannya ... parah sekali" dan Bach menjadi benar-benar buta. Anaknya Carl Philipp Emanuel dan muridnya Johann Friedrich Agricola turut menulis Bach obituari, yang diterbitkan pada tahun 1754 di Mizler Musikalische Bibliothek.

Peninggalan Bach yaitu lima harpsichords, dua lute-harpsichords, tiga violins, tiga violas, dua cellos, sebuah viola da gamba, sebuah lute and sebuah spinet, and lima puluh dua "sacred books", termasuk buku Martin Luther dan Josephus. Ia awalnya dimakamkan di Pemakaman Old St John di Leipzig. Makamnya tanpa tanda selama hampir 150 tahun. Pada tahun 1894, jenazahnya dipindahkan ke lemari besi di Gereja St. John. Bangunan ini dihancurkan oleh bom Sekutu selama Perang Dunia II, sehingga pada tahun 1950 sisa-sisa Bach dibawa ke kuburan di Gereja St. Thomas. Penelitian Kemudian telah mempertanyakan dimana kuburan Bach yang sebenarnya.

Karya Bach :

1. Chamber Music

     1725     Fugue for lute in G minor, BWV 1000    
     1712     Fugue for violin & keyboard in G minor, BWV 1026
     1751     Jesu, der du meine Seele (III), chorale setting for 4 voices, BWV 354 (BC F187.3)
     1738     Partita for lute in C minor, BWV 997 (BC L170)
     1736     Partita for lute in E major, BWV 1006a (BC L171)
     1722     Partita for solo flute in A minor, BWV 1013
     1720     Partita for solo violin No. 1 in B minor, BWV 1002
     1720     Partita for solo violin No. 2 in D minor, BWV 1004
     1720     Partita for solo violin No. 3 in E major, BWV 1006
     1720     Prelude for lute in C minor, BWV 999 (BC L171)
     1740     Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132)
     1736     Sonata for 2 flutes & continuo in G major, BWV 1039
     1757     Sonata for 2 violins & continuo in C major (by J. G. Goldberg, not JSB), BWV 1037
     1735     Sonata for flute (or violin) & keyboard in G minor (by C.P.E. Bach, not JSB), BWV 1020
     1741     Sonata for flute & continuo in E major, BWV 1035
     1724     Sonata for flute & continuo in E minor, BWV 1034
     1736     Sonata for flute & keyboard in A major, BWV 1032
     1736     Sonata for flute & keyboard in B minor, BWV 1030
     1736     Sonata for flute & keyboard in C major, BWV 1033
     1730     Sonata for flute & keyboard in E flat major, BWV 1031
     1972     Sonata for oboe & keyboard in G minor, BWV 1030R
     1720     Sonata for solo violin No. 1 in G minor, BWV 1001
     1720     Sonata for solo violin No. 2 in A minor, BWV 1003
     1720     Sonata for solo violin No. 3 in C major, BWV 1005
     1720     Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
     1720     Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
     1720     Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
     1727     Sonata for violin & continuo in A major, BWV Anh. 153
     1751     Sonata for violin & continuo in C minor, BWV 1024
     1714     Sonata for violin & continuo in E minor, BWV 1023
     1732     Sonata for violin & continuo in G major, BWV 1021
     1800     Sonata for violin & keyboard in F major (doubtful), BWV 1022
     1720     Sonata for violin & keyboard No. 1 in B minor, BWV 1014
     1720     Sonata for violin & keyboard No. 2 in A major, BWV 1015
     1720     Sonata for violin & keyboard No. 3 in E major, BWV 1016
     1720     Sonata for violin & keyboard No. 4 in C minor, BWV 1017
     1720     Sonata for violin & keyboard No. 5 in F minor, BWV 1018
     1727     Sonata for violin & keyboard No. 6 in G major (variant), BWV 1019a
     1720     Sonata for violin & keyboard No. 6 in G major, BWV 1019
     1712     Suite for lute in E minor, BWV 996 (BC L166)
     1727     Suite for lute in G minor, BWV 995
     1720     Suite for solo cello No. 1 in G major, BWV 1007
     1720     Suite for solo cello No. 2 in D minor, BWV 1008
     1720     Suite for solo cello No. 3 in C major, BWV 1009
     1720     Suite for solo cello No. 4 in E flat major, BWV 1010
     1720     Suite for solo cello No. 5 in C minor, BWV 1011
     1720     Suite for solo cello No. 6 in D major, BWV 1012
     1740     Suite for violin & keyboard in A major (after S. L. Weiss), BWV 1025
     1747     The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, 

                  BWV 1079
     1731    Trio Sonata for 2 violins & continuo in D minor (by, or in collaboration with, C.P.E. Bach),

                  BWV 1036
     1732     Trio Sonata for flute, violin & continuo in G major (by C.P.E. Bach, after JSB), BWV 1038
     1713     Trio, for violin, oboe & continuo in F major, BWV 1040

2. Choral

      1751     Ach bleib bei uns, Herr Jesu Christ, chorale setting for 4 voices, BWV 253 (BC F35)
      1751     Ach Gott und Herr, chorale setting for 4 voices, BWV 255 (BC F2)
      1751     Ach Gott, erhör' mein Seufzen, chorale setting for 4 voices, BWV 254 (BC F1)
      1751     Ach, lieben Christen, seid getrost, chorale setting for 4 voices, BWV 256 (BC F212)
      1751     Ach, was soll ich Sünder machen, chorale setting for 4 voices, BWV 259 (BC F5)
      1751     Alle Menschen müssen sterben, chorale for 4 voices, BWV 262 (BC F8)
      1751     Allein Gott in der Höh sei Ehr, chorale setting for 4 voices, BWV 260 (BC F10)
      1751     Allein zu dir, Herr Jesu Christ, chorale setting for 4 voices, BWV 261 (BC F11)
      1751     Alles ist an Gottes Segen, chorale setting for 4 voices, BWV 263 (BC F12)
      1751     Als der gütige Gott, chorale setting for 4 voices, BWV 264 (BC F13)
      1751     Als Jesus Christus in der Nacht, chorale setting for 4 voices, BWV 265 (BC F14)
      1751     Als vierzig Tag nach Ostern war, chorale setting for 4 voices, BWV 266 (BC F15)
      1751     An Wasserflüssen Babylon, chorale setting for 4 voices, BWV 267 (BC F17)
      1751     Auf, auf, mein Herz, und du, mein ganzer Sinn, chorale setting for 4 voices, 

                    BWV 268 (BC F19)
      1751     Aus meines Herzens Grunde, chorale setting for 4 voices, BWV 269 (BC F21)
      1751     Befiehl du deine Wege (I), chorale setting for 4 voices, BWV 270 (BC 92.1)
      1751     Befiehl du deine Wege (II), chorale setting for 4 voices, BWV 271 (BC 92.2)
      1751     Befiehl du deine Wege (III), chorale setting for 4 voices, BWV 272 (BC F136.2)
      1725     Cantata No. 1, "Wie schön leuchtet der Morgenstern," BWV 1 (BC A173)
      1724     Cantata No. 10, "Meine Seel erhebt den Herren," BWV 10 (BC A175)
      1732     Cantata No. 100, "Was Gott tut, das ist wohlgetan," BWV 100 (BC A191)
      1724     Cantata No. 101, "Nimm von uns, Herr, du treuer Gott," BWV 101 (BC A118)
      1726     Cantata No. 102, "Herr, deine Augen sehen nach dem Glauben," BWV 102 (BC A119)
      1725     Cantata No. 103, "Ihr werdet weinen und heulen," BWV 103 (BC A69)
      1724     Cantata No. 104, "Du Hirte Israel, höre," BWV 104 (BC A65)
      1723     Cantata No. 105, "Herr, gehe nicht ins Gericht," BWV 105 (BC A114)
      1707     Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"), BWV 106 (BC B18)
      1724     Cantata No. 107, "Was willst du dich betrüben," BWV 107 (BC A109)
      1725     Cantata No. 108, "Es ist euch gut, dass ich hingehe," BWV 108 (BC A72)
      1723     Cantata No. 109, "Ich glaube, lieber Herr, hilf meinem Unglauben!" BWV 109 (BC A151)
      1725     Cantata No. 110, "Unser Mund sei voll Lachens," BWV 110 (BC A10)
      1725     Cantata No. 111, "Was mein Gott will, das g'scheh allzeit," BWV 111 (BC A36)
      1731     Cantata No. 112, "Der Herr ist mein getreuer Hirt," BWV 112 (BC A67)
      1724     Cantata No. 113, "Herr Jesu Christ, du höchstes Gut," BWV 113 (BC A122)
      1724     Cantata No. 114, "Ach, lieben Christen, seid getrost," BWV 114 (BC A139)
      1724     Cantata No. 115, "Mache dich, mein Geist, bereit," BWV 115 (BC A156)
      1724     Cantata No. 116, "Du Freidefürst, Herr Jesu Christ," BWV 116 (BC A164)
      1728     Cantata No. 117, "Sei Lob und Ehr dem höchsten Gut," BWV 117 (BC A187)
      1730     Cantata No. 119, "Preise, Jerusalem, den Herrn," BWV 119 (BC B3)
      1714     Cantata No. 12 "Weinen, Klagen, Sorgen, Zagen", BWV 12 (BC A68)
      1729     Cantata No. 120, "Gott, man lobet dich in der Stille," BWV 120 (BC B6)
      1729     Cantata No. 120a, "Herr Gott, Beherrscher aller Dinge," BWV 120a (BC B15)
      1724     Cantata No. 121, "Christum wir sollen loben schon," BWV 121 (BC A13)
      1724    Cantata No. 122, "Das neugeborne Kindelein," BWV 122 (BC A19)
      1725    Cantata No. 123, "Liebster Immanuel, Herzog der Frommen," BWV 123 (BC A28)
      1725    Cantata No. 124, "Meinen Jesum lass ich nicht," BWV 124 (BC A30)
      1725    Cantata No. 125, "Mit Fried und Freud ich fahr dahin," BWV 125 (BC A168)
      1725    Cantata No. 126, "Erhalt uns, Herr, bei deinem Wort," BWV 126 (BC A46)
      1725    Cantata No. 127, "Herr Jesu Christ, wahr' Mensch und Gott," BWV 127 (BC A49)
      1725    Cantata No. 128, "Auf Christi Himmelfahrt allein," BWV 128 (BC A76)
      1726    Cantata No. 129, "Gelobet sei der Herr," BWV 129 (BC A93)
      1726    Cantata No. 13, "Meine Seufzer, meine Tränen," BWV 13 (BC A34)
      1724    Cantata No. 130, "Herr Gott, dich loben alle wir," BWV 130 (BC A179)
      1707    Cantata No. 131, "Aus der Tiefen rufe ich, Herr, zu dir," BWV 131 (BC B25)
      1715    Cantata No. 132, "Bereitet die Wege, bereitet die Bahn," BWV 132 (BC A6)
      1724    Cantata No. 133, "Ich freue mich in dir," BWV 133 (BC A16)
      1724    Cantata No. 134, "Ein Herz, das seinen Jesum lebend weiss," BWV 134 (BC A59)
      1724    Cantata No. 135, "Ach Herr, mich armen Sünder," BWV 135 (BC A100)
      1723    Cantata No. 136, "Erforsche mich, Gott, und erfahre mein Herz," BWV 136 (BC A111)
      1725    Cantata No. 137, "Lobe den Herren, den mächtigen König der Ehren," BWV 137 (BC A124)
      1723    Cantata No. 138, "Warum betrübst du dich, mein Herz?" BWV 138 (BC A132)
      1724    Cantata No. 139, "Wohl dem, der sich auf seinen Gott," BWV 139 (BC A159)
      1735    Cantata No. 14, "Wär Gott nicht mit uns diese Zeit," BWV 14 (BC A40)
      1731    Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166)
      1727    Cantata No. 141, "Das ist je gewisslich wahr" (by Georg Philipp Telemann, TWV 1:183), 

                  BWV 141
      1720    Cantata No. 142, "Uns ist ein Kind geboren" (probably by Johann Kuhnau), 

                   BWV 142 (BC V99)
      1708    Cantata No. 143, "Lobe den Herrn, meine Seele" (doubtful), BWV 143 (BC T99)
      1724    Cantata No. 144, "Nimm, was dein ist, und gehe hin," BWV 144 (BC A41)
      1729    Cantata No. 145, "Ich lebe, mein Herze, zu deinem Ergötzen," BWV 145 (BC A60)
      1726    Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70)
      1723    Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174)
      1723    Cantata No. 148, "Bringet dem Herrn Ehre seines Namens," BWV 148 (BC A140)
      1729    Cantata No. 149, "Man singet mit Freuden vom Sieg," BWV 149 (BC A181)
      1726    Cantata No. 15, "Denn du wirst meine Seele" (by Johann Ludwig Bach, not JSB), BWV 15
      1706    Cantata No. 150, "Nach dir, Herr, verlanget mich," BWV 150 (BC B24)
      1726    Cantata No. 151, "Süsser Trost, mein Jesus kömmt," BWV 151 (BC A17)
      1714    Cantata No. 152, "Tritt auf due Glaubensbahn," BWV 152 (BC A18)
      1724    Cantata No. 153, "Schau, lieber Gott, wie meine Feind," BWV 153 (BC A25)
      1724    Cantata No. 154, "Mein liebster Jesus ist verloren," BWV 154 (BC A29)
      1716    Cantata No. 155, "Mein Gott, wie lang, ach lange," BWV 155 (BC A32)
      1729    Cantata No. 156, "Ich steh mit einem Fuss im Grabe," BWV 156 (BC A38)
      1727    Cantata No. 157, "Ich lasse dich nicht, du segnest mich denn," BWV 157 (BC A170)
      1732    Cantata No. 158, "Der Friede sei mit dir," BWV 158 (BC A61)
      1729    Cantata No. 159, "Sehet, wir gehn hinauf gen Jerusalem," BWV 159 (BC A50)
      1726    Cantata No. 16, "Herr Gott, dich loben wir," BWV 16 (BC A23)
      1704    Cantata No. 160, "Ich weiss, dass mein Erlöser lebt" (by Telemann TWV 1:877), BWV 160
      1715    Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135)
      1716    Cantata No. 162, "Ach! ich sehe, itzt, da ich zur Hochzeit gehe," BWV 162 (BC A90)
      1715    Cantata No. 163, "Nur jedem das Seine!" BWV 163 (BC A158)
      1725    Cantata No. 164, "Ihr, die ihr euch von Christo nennet," BWV 164 (BC A128)
      1715    Cantata No. 165, "O heilges Geist- und Wasserbad," BWV 165 (BC A90)
      1724    Cantata No. 166, "Wo gehest du hin?" BWV 166 (BC A71)
      1723    Cantata No. 167, "Ihr Menschen, rühmet Gottes Liebe," BWV 167 (BC A176)
      1725    Cantata No. 168, "Tue Rechnung! Donnerwort," BWV 168 (BC A116)
      1726    Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143)
      1726    Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 (BC A131)
      1726    Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust," BWV 170 (BC A106)
      1729    Cantata No. 171, "Gott, wie dein Name, so ist auch dein Ruhm," BWV 171 (BC A24)
      1714    Cantata No. 172, "Erschallet, ihr Lieder," BWV 172 (BC A81)
      1724    Cantata No. 173, "Erhöhtes Fleisch und Blut," BWV 173 (BC A85)
      1729    Cantata No. 174, "Ich liebe den Höchsten von ganzem Gemüte," BWV 174 (BC A87)
      1725    Cantata No. 175, "Er rufet seinen Schafen mit Namen," BWV 175 (BC A89)
      1725    Cantata No. 176, "Es ist ein trotzig und verzagt Ding," BWV 176 (BC A92)
      1732    Cantata No. 177, "Ich ruf zu dir, Herr Jesu Christ," BWV 177 (BC A103)
      1724    Cantata No. 178, "Wo Gott der Herr nicht bei uns hält," BWV 178 (BC A112)
      1723    Cantata No. 179, "Siehe zu, dass deine Gottesfurcht," BWV 179 (BC A121)
      1713    Cantata No. 18, "Gleichwie der Regen und Schnee vom Himmel fällt," BWV 18 (BC A44)
      1724    Cantata No. 180, "Schmücke dich, O liebe Seele," BWV 180 (BC A149)
      1724    Cantata No. 181, "Leichtgesinnte Flattergeister," BWV 181 (BC A45)
      1714    Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182 (BC A53)
      1725    Cantata No. 183, "Sie werden euch in den Bann tun," BWV 183 (BC A79)
      1724    Cantata No. 184, "Erwünschtes Freudenlicht," BWV 184 (BC A88)
      1715    Cantata No. 185, "Barmherziges Herze der ewigen Liebe," BWV 185 (BC A101)
      1723    Cantata No. 186, "Ärgre dich, O Seele, nicht," BWV 186 (BC A108)
      1726    Cantata No. 187, "Es wartet alles auf dich," BWV 187 (BC A110)
      1728    Cantata No. 188, "Ich habe meine Zuversicht," BWV 188 (BC A154)
      1716    Cantata No. 189, "Meine Seele rühmt und priest" (by Melchior Hoffmann), BWV 189
      1726    Cantata No. 19, "Es erhub sich ein Streit," BWV 19 (BC A180)
      1724    Cantata No. 190, "Singet dem Herrn ein neues Lied," BWV 190 (BC A21)
      1741    Cantata No. 191, "Gloria in excelsis Deo," BWV 191 (BC E16)
      1730    Cantata No. 192, "Nun danket alle Gott" (incomplete), BWV 192 (BC A188)
      1727    Cantata No. 193, "Ihr Tore zu Zion," BWV 193 (BC B5)
      1723    Cantata No. 194, "Höchsterwünschtes Freudenfest," BWV 194 (BC A91)
      1727    Cantata No. 195, "Dem Gerechten muss das Licht," BWV 195 (BC B14)
      1707    Cantata No. 196, "Der Herr denket an uns," BWV 196 (BC B11)
      1736    Cantata No. 197, "Gott ist unsre Zuversicht," BWV 197 (BC B16)
      1728    Cantata No. 197a, "Ehre sei Gott in der Höhe," BWV 197a (BC A11)
      1714    Cantata No. 199, "Mein Herze schwimmt im Blut," BWV 199 (BC A120)
      1724    Cantata No. 2, "Ach Gott, vom Himmel sieh darein," BWV 2 (BC A98)
      1724    Cantata No. 20, "O Ewigkeit, du Donnerwort," BWV 20 (BC A95)
      1742    Cantata No. 200, "Bekennen will ich seinen Namen" (fragment), BWV 200 (BC A192)
      1729    Cantata No. 201, "Geschwinde, geschwinde ihr wirbelnden Winde," BWV 201 (BC G46)
      1730    Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41)
      1723    Cantata No. 203, "Amore Traditore" (doubtful), BWV 203 (BC G51)
      1726    Cantata No. 204, "Ich bin in mir vergnügt," BWV 204 (BC G45)
      1725    Cantata No. 205, "Zerreisset, zersprenget, zertrümmert die Gruft," BWV 205 (BC G36)
      1736    Cantata No. 206, "Schleicht, spielende Wellen," BWV 206 (BC G23, 26)
      1726    Cantata No. 207, "Vereinigte Zwietracht der wechselnden Saiten," BWV 207 (BC G37)
      1735    Cantata No. 207a, "Auf, schmetternde Töne," BWV 207a (BC G37)
      1713    Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3)
      1714    Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99)
      1741    Cantata No. 210, "O holder Tag, erwünschte Zeit," BWV 210 (BC G44)
      1732    Cantata No. 211, "Schweigt stille, plaudert nicht," (Coffee Cantata), BWV 211 (BC G48)
      1742    Cantata No. 212, "Mer hahn en neue Oberkeet," (Peasant Cantata), BWV 212 (BC G32)
      1733    Cantata No. 213, Herkules auf dem Scheidewege ("Lasst uns sorgen, Lasst uns wachen"), 

                   BWV 213 (BC G18)
      1733    Cantata No. 214, "Tönet, ihr Pauken! Erchallet, Trompeten!" BWV 214 (BC G19)
      1734    Cantata No. 215, "Preise dein Glücke, gesegnetes Sachsen," BWV 215 (BC G21)
      1728    Cantata No. 216, "Vergnügte Pleissen-Stadt" (incomplete) BWV 216 (BC G43)
      1768    Cantata No. 219, "Siehe, es hat überwunden der Löwe" (by Telemann TWV 1:1328), 

                   BWV 219
      1723    Cantata No. 22, "Jesus nahm zu sich die Zwölfe," BWV 22 (BC A48)
      1787    Cantata No. 220, "Lobt ihn mit Herz und Munde" (by Anonymous, not JSB), BWV 220)
      1761    Cantata No. 221, "Wer sucht die Pracht, wer wünscht den Glanz" (by Anonymous, not JSB, 

                   BWV 221
      1778    Cantata No. 222, "Mein Odem ist schwach" (by Johann Ernst Bach), BWV 222
      1723    Cantata No. 23, "Du wahrer Gott und Davids Sohn," BWV 23 (BC A47)
      1723    Cantata No. 24, "Ein ungefärbt Gemüte," BWV 24 (BC A102)
      1725    Cantata No. 249a, "Entfliehet, verschwindet, entweichet, ihr Sorgen," (Shepherd Cantata), 

                  BWV 249a (BC G2)
      1723    Cantata No. 25, "Es ist nichts Gesundes an meinem Leibe," BWV 25 (BC A129)
      1724    Cantata No. 26, "Ach wie flüchtig, ach wie nichtig," BWV 26 (BC A162)
      1726    Cantata No. 27, "Wer weiss, wie nahe mir mein Ende!" BWV 27 (BC A138)
      1725    Cantata No. 28, "Gottlob! nun geht das Jahr zu Ende," BWV 28 (BC A20)
      1731    Cantata No. 29, "Wir danken dir, Gott, wir danken dir," BWV 29 (BC B8)
      1725    Cantata No. 3, "Ach Gott, wie manches Herzeleid," BWV 3 (BC A33)
      1738    Cantata No. 30, "Freue dich, erlöste Schar," BWV 30 (BC A178)
      1737    Cantata No. 30a, "Angenehmes Wiederau, freue dich in deinen Auen," BWV 30a (BC G31)
      1715    Cantata No. 31, "Der Himmel lacht! die Erde jubilieret," BWV 31 (BC A55)
      1726    Cantata No. 32, "Liebster Jesu, mein Verlangen," BWV 32 (BC A31)
      1724    Cantata No. 33, "Allein zu dir, Herr Jesu Christ," BWV 33 (BC A127)
      1746    Cantata No. 34, "O ewiges Feuer, O Ursprung der Liebe," BWV 34 (BC A84)
      1726    Cantata No. 34a, "O ewiges Feuer, O Ursprung der Liebe" (incomplete), BWV 34a (BC B13)
      1726    Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 (BC A125)
      1731    Cantata No. 36, "Schwingt freudig euch empor," BWV 36 (BC A3)
      1735    Cantata No. 36b, "Die Freude reget sich," BWV 36b (BC G38)
      1725    Cantata No. 36c, "Schwingt freudig euch empor," BWV36c (BC G35)
      1724    Cantata No. 37, "Wer da gläubet und getauft wird" (incomplete), BWV 37 (BC A75)
      1724    Cantata No. 38, "Aus tiefer Not schrei ich zu dir," BWV 38 (BC A152)
      1726    Cantata No. 39, "Brich dem Hungrigen dein Brot," BWV 39 (BC A96)
      1708    Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54)
      1723    Cantata No. 40, "Dazu ist erschienen der Sohn Gottes," BWV 40 (BCA 12)
      1725    Cantata No. 41, "Jesu, nun sei gepreiset," BWV 41 (BC A22)
      1725    Cantata No. 42, "Am Abend aber desselbigen Sabbaths," BWV 42 (BC A63)
      1726    Cantata No. 43, "Gott fähret auf mit Jauchzen," BWV 43 (BC A77)
      1724    Cantata No. 44, "Sie werden euch in die Bann tun," BWV 44 (BC A78)
      1726    Cantata No. 45, "Es ist dir gesagt, Mensch, was gut ist," BWV 45 (BC A113)
      1723    Cantata No. 46, "Schauet doch und sehet," BWV 46 (BC A117)
      1726    Cantata No. 47, "Wer sich selbst erhöhet," BWV 47 (BC A141)
      1723    Cantata No. 48, "Ich elender Mensch, wer wird mich erlösen," BWV 48 (BC A144)
      1726    Cantata No. 49, "Ich geh und suche mit Verlangen," BWV 49 (BC A150)
      1724    Cantata No. 5 "Wo soll ich fliehen hin," BWV 5 (BC A145)
      1723    Cantata No. 50, "Nun ist das Heil und die Kraft" (incomplete), BWV 50 (BC A194)
      1730    Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134)
      1726    Cantata No. 52, "Falsche Welt, dir trau ich nicht," BWV 52 (BC A160)
      1716    Cantata No. 53, "Schlage doch, gewünschte Stunde" (by Melchior Hoffmann, not JSB), 

                  BWV 53
      1714    Cantata No. 54, "Widerstehe doch der Sünde," BWV 54 (BC A51)
      1726    Cantata No. 55, "Ich armer Mensch, ich Sündenknecht," BWV 55 (BC A157)
      1726    Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146)
      1726    Cantata No. 57, "Selig ist der Mann," BWV 57 (BC A14)
      1727    Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 (BC A26)
      1724    Cantata No. 59, "Wer mich liebet, der wird mein Wort halten," BWV 59 (BC A82)
      1725    Cantata No. 6 "Bleib bei uns, denn es will Abend werden," BWV 6 (BC A57)
      1723    Cantata No. 60, "O Ewigkeit, du Donnerwort," BWV 60 (BC A161)
      1714    Cantata No. 61, "Nun komm, der Heiden Heiland," BWV 61 (BC A1)
      1724    Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2)
      1714    Cantata No. 63, "Christen, ätzet diesen Tag," BWV 63 (BC A8)
      1723    Cantata No. 64, "Sehet, welch eine Liebe," BWV 64 (BC A15)
      1724    Cantata No. 65, "Sie werden aus Saba alle kommen," BWV 65 (BC A27)
      1724    Cantata No. 66, "Erfreut euch, ihr Herzen," BWV 66 (BC A56)
      1724    Cantata No. 67, "Halt im Gedächtnis Jesum Christ," BWV 67 (BC A62)
      1725    Cantata No. 68, "Also hat Gott die Welt geliebt," BWV 68 (BC A86)
      1742    Cantata No. 69, "Lobe den Herrn, meine Seele," BWV 69 (BC B10)
      1723    Cantata No. 69a, "Lobe den Herrn, meine Seele," BWV 69a (BC A123)
      1724    Cantata No. 7 "Christ unser Herr zum Jordan kam," BWV 7 (BC A177)
      1723    Cantata No. 70, "Wachet! betet! betet! wachet!" BWV 70 (BC A165)
      1708    Cantata No. 71, "Gott ist mein König," BWV 71 (BC B1)
      1726    Cantata No. 72, "Alles nur nach Gottes willen," BWV 72 (BC A37)
      1724    Cantata No. 73, "Herr, wie du willt, so schicks mit mir," BWV 73 (BC A35)
      1725    Cantata No. 74, "Wer mich liebet, der wird mein Wort halten," BWV 74 (BC A83)
      1723    Cantata No. 75, "Die Elenden sollen essen," BWV 75 (BC A94)
      1723    Cantata No. 76, "Die Himmel erzählen die Ehre Gottes," BWV 76 (BC A97)
      1723    Cantata No. 77, "Du sollt Gott, deinen Herren, lieben," BWV 77 (BC A126)
      1724    Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130)
      1725    Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 (BCA184)
      1724    Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8 (BC A137a)
      1744    Cantata No. 8 "Liebster Gott, wann werd ich sterben" (second version), BWV 8 (BC A137b)
      1727    Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183)
      1724    Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 (BC A39)
      1727    Cantata No. 82, "Ich habe genug," BWV 82 (BC A169)
      1724    Cantata No. 83, "Erfreute Zeit im neuen Bunde," BWV 83 (BC A167)
      1727    Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 (BC A43)
      1725    Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 (BC A66)
      1724    Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 (BC A73)
      1725    Cantata No. 87, "Bisher habt ihr nichts gebeten," BWV 87 (BC A74)
      1726    Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 (BC A105)
      1723    Cantata No. 89, "Was soll ich aus dir machen, Ephraim?" BWV 89 (BC A155)
      1732    Cantata No. 9, "Es ist das Heil uns kommen her," BWV 9 (BC A107)
      1723    Cantata No. 90, "Es reisset euch ein schrecklich Ende," BWV 90 (BC A163)
      1724    Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 (BC A9)
      1725    Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 (BC A42)
      1725    Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 (BC A104)
      1724    Cantata No. 94, "Was frag ich nach der Welt," BWV 94 (BC A115)
      1723    Cantata No. 95, "Christus, der ist mein Leben," BWV 95 (BC A136)
      1724    Cantata No. 96, "Herr Christ, der einge Gottessohn," BWV 96 (BC A142)
      1734    Cantata No. 97, "In allen meinen Taten," BWV 97 (BC A189)
      1726    Cantata No. 98, "Was Gott tut, das ist wohlgetan," BWV 98 (BC A153)
      1724    Cantata No. 99, "Was Gott tut, das ist wohlgetan," BWV 99 (BC A133)
      1751    Christ ist erstanden, chorale setting for 4 voices, BWV 276 (BC F25)
      1751    Christ lag in Todes Banden (I), chorale setting for 4 voices, BWV 277 (BC F26.1)
      1751    Christ lag in Todes Banden (II), chorale setting for 4 voices, BWV 278 (BC F26.2)
      1751    Christ lag in Todes Banden (III), chorale setting for 4 voices, BWV 279 (BC A61/4)
      1751    Christ, der du bist der helle Tag, chorale setting for 4 voices, BWV 273 (BC F24)
      1751    Christ, unser Herr, zum Jordan kam, chorale setting for 4 voices, BWV 280 (BC F65)
      1751    Christe du Beistand deiner Kreuzgemeine, chorale setting for 4 voices, BWV 275 (BC F28)
      1727    Christe eleison, for 2 female voices & continuo in G minor, BWV 242 (BC E8)
      1751    Christe, der du bist Tag und Licht, chorale setting for 4 voices, BWV 274 (BC F27)
      1751    Christus ist erstanden, hat überwunden, chorale setting for 4 voices , BWV 284 (BC F32)
      1751    Christus, der ist mein Leben (I), chorale setting for 4 voices, BWV 281 (BC F30.1)
      1751    Christus, der ist mein Leben (II), chorale setting for 4 voices, BWV 282 (BC F30.2)
      1751    Christus, der uns selig macht, chorale setting for 4 voices, BWV 283 (BC F31)
      1751    Da der Herr Christ zu Tische sass, chorale setting for 4 voices, BWV 285 (BC F34)
      1751    Da Jesus an dem Kreuze stund, chorale setting for 4 voices, BWV 1089
      1751    Dank sei Gott in der Höhe, chorale setting for 4 voices, BWV 287 (BC F119)
      1751    Danket dem Herren, denn er ist sehr freundlich, chorale setting for 4 voices, 

                  BWV 286 (BC F183)
      1751    Das alte Jahr vergangen ist (I), chorale setting for 4 voices, BWV 288 (BC F36.1)
      1751    Das alte Jahr vergangen ist (II), chorale setting for 4 voices, BWV 289 (BC F36.2)
      1751    Das walt' mein Gott Vater und Gott Sohn und heil'ger Geist, chorale setting for 4 voices, 

                  BWV 291 (BC F39)
      1751    Das walt' mein Gott Vater und Gott Sohn, chorale setting for 4 voices, BWV 290 (BC F38)
      1751    Den Vater dort oben, chorale for 4 voices, BWV 292 (BC F40)
      1735    Denket doch, ihr Menschenkinder, chorale setting for 4 voices, BWV 1122
      1751    Der du bist drei in Einigkeit, chorale setting for 4 voices, BWV 293 (BC F42)
      1729    Der Geist hilft unser Schwachheit auf, motet for double chorus, winds, strings & continuo, 

                  BWV 226 (BC C2)
      1717    Der Gerechte kömmt um, motet for 5-part chorus, 2 flutes, 2 oboes, strings & continuo 

                  (after Kuhnau), BWV deest (BC C8)
      1751    Der Tag, der ist so freudenreich, chorale setting for 4 voices, BWV 294 (BC F43)
      1751    Des heil'gen Geistes reiche Gnad', chorale setting for 4 voices, BWV 295 (BC F178)
      1751    Die Nacht ist kommen, chorale setting for 4 voices, BWV 296 (BC F44)
      1751    Die Sonn' hat sich mit ihrem Glanz, chorale setting for 4 voices BWV 297 (BC F161)
      1719    Die Zeit, die Tag und Jahre macht, serenata (secular cantata) for 4 voices, chorus & orchestra, 

                  BWV 134a (BC G5)
      1751    Dies sind die heil'gen zehn Gebot', chorale setting for 4 voices, BWV 298 (BC F46)
      1751    Dir, dir, Jehova, will ich singen, chorale setting for 4 voices, BWV 299 (BC F47)
      1751    Du grosser Schmerzensmann, chorale setting for 4 voices, BWV 300 (BC F51)
      1751    Du, o schönes Weltgebäude, chorale setting for 4 voices , BWV 301 (BC F50)
      1717    Durchlauchtster Leopold, serenata for 2 voices, flute, bassoon, strings & continuo, 

                  BWV 173a (BC G9)
      1725    Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet," early version), 

                  BWV 249 (BC D8a)
      1743    Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8)
      1751    Ein feste Burg ist unser Gott (I), chorale setting for 4 voices, BWV 302 (BC F53.1)
      1751    Ein feste Burg ist unser Gott (II), chorale setting for 4 voices, BWV 303 (BC F53.2)
      1751    Eins ist Not! ach Herr, dies Eine, chorale setting for 4 voices, BWV 304 (BC F54)
      1751    Erbarm' dich mein, o Herre Gott, chorale setting for 4 voices, BWV 305 (BC F55)
      1751    Erstanden ist der heil'ge Christ, chorale setting for 4 voices, BWV 306 (BC F58)
      1751    Es ist gewisslich an der Zeit, chorale setting for 4 voices, BWV 307 (BC F150)
      1751    Es spricht der unweisen Mund wohl, chorale setting for 4 voices, BWV 308 (BC F62)
      1751    Es steh'n vor Gottes Throne, chorale setting for 4 voices, BWV 309 (BC F63)
      1751    Es wird schier der letzte Tag herkommen, chorale setting for 4 voices , BWV 310 (BC F64)
      1751    Es woll' uns Gott genädig sein (I), chorale setting for 4 voices , BWV 311 (BC F66.1)
      1751    Es woll' uns Gott genädig sein (II), chorale setting for 4 voices , BWV 312 (BC F66.2)
      1751    Für deinen Thron tret' ich hiermit, chorale setting for 4 voices, BWV 327 (BC F105.2)
      1751    Für Freuden lasst uns springen, chorale setting for 4 voices, BWV 313 (BC F68)
      1724    Fürchte dich nicht, ich bin bei dir, motet for double chorus, BWV 228 (BC C4)
      1751    Gelobet seist du, Jesu Christ, chorale setting for 4 voices, BWV 314 (BC F69)
      1751    Gib dich zufrieden und sei stille (I), chorale setting for 4 voices, BWV 315 (BC F70)
      1751    Gott hat das Evangelium, chorale setting for 4 voices, BWV 319 (BC F74)
      1751    Gott lebet noch, chorale setting for 4 voices, BWV 320 (BC F75)
      1751    Gott sei gelobet und gebenedeiet, chorale setting for 4 voices , BWV 322 (BC F76)
      1751    Gott sei uns gnädig und barmherzig, chorale setting for 4 voices, BWV 323 (BC F140)
      1751    Gott, der du selber bist das Licht, chorale setting for 4 voices, BWV 316 (BC F71)
      1751    Gott, der Vater wohn' uns bei, chorale setting for 4 voices, BWV 317 (BC F72)
      1751    Gottes Sohn ist kommen, chorale setting for 4 voices, BWV 318 (BC F143)
      1751    Gottlob, es geht nunmehr zu Ende, chorale setting for 4 voices, BWV 321 (BC F77)
      1751    Heilig, heilig, heilig, chorale setting for 4 voices, BWV 325 (BC F79)
      1751    Herr Gott, dich loben alle wir, chorale setting for 4 voices, BWV 326 (BC F105)
      1751    Herr Gott, dich loben wir, chorale setting for 4 voices, BWV 328 (BC F83)
      1751    Herr Jesu Christ, dich zu uns wend, chorale setting for 4 voices, BWV 332 (BC F85)
      1751    Herr Jesu Christ, du hast bereit, chorale setting for 4 voices, BWV 333 (BC F86)
      1751    Herr Jesu Christ, du höchstes Gut, chorale setting for 4 voices, BWV 334 (BC F202)
      1751    Herr Jesu Christ, meins Lebens Licht, chorale setting for 4 voices, BWV 335 (BC F170)
      1751    Herr Jesu Christ, wah'r Mensch und Gott, chorale setting for 4 voices, BWV 336 (BC F88)
      1751    Herr, ich denk an jene Zeit, chorale setting for 4 voices, BWV 329 (BC F134)
      1751    Herr, ich habe missgehandelt (I), chorale setting for 4 voices, BWV 330 (BC F84.1)
      1751    Herr, ich habe missgehandelt (II), chorale setting for 4 voices, BWV 331 (BC F84.2)
      1751    Herr, nun lass in Friede, chorale setting for 4 voices, BWV 337 (BC F89)
      1751    Herr, straf mich nicht in deinem Zorn, chorale setting for 4 voices, BWV 338 (BC F90)
      1751    Herr, wie du willst, so schick's mit mir, chorale setting for 4 voices, BWV 339 (BC F23)
      1751    Herzlich lieb hab ich dich, o Herr, chorale setting for 4 voices, BWV 340 (BC F91.1)
      1751    Heut ist, o Mensch, ein grosser Trauertag, chorale setting for 4 voices, BWV 341 (BC F94.1a)
      1751    Heut' triumphieret Gottes Sohn, chorale setting for 4 voices, BWV 342 (BC F95)
      1751    Hilf, Gott, dass mir's gelinge, chorale setting for 4 voices, BWV 343 (BC F96)
      1751    Hilf, Herr Jesu, lass gelingen, chorale setting for 4 voices, BWV 344 (BC F97)
      1735    Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio),

                  BWV 11 (BC D9)
      1751    Ich bin ja, Herr, in deiner Macht, chorale setting for 4 voices, BWV 345 (BC F99)
      1751    Ich dank dir schon durch deinen Sohn, chorale setting for 4 voices, BWV 349 (BC F4)
      1751    Ich dank dir, lieber Herre (I), chorale setting for 4 voices, BWV 347 (BC 101.1)
      1751    Ich dank dir, lieber Herre (II), chorale setting for 4 voices, BWV 348 (BC 101.2)
      1751    Ich dank dir, o Gott, in deinem Throne, chorale setting for 4 voices BWV 350 (BC F139)
      1751    Ich dank' dir, Gott, für all' Wohltat, chorale setting for 4 voices, BWV 346 (BC F100)
      1751    Ich hab' mein' Sach' Gott heimgestellt, chorale setting for 4 voices, BWV 351 (BC F102)
      1713    Ich lasse dich nicht, motet for double chorus (after Johann Christoph Bach),
                  BWV Anh. 159 (BC C9)
      1751    Ich ruf zu dir, Herr Jesu Christ, chorale setting for 4 voices, BWV 1124
      1751    Ihr Gestrin', ihr hohlen Lüfte, chorale setting for 4 voices, BWV 366 (BC F104)
      1751    In allen meinen Taten, chorale setting for 4 voices, BWV 367 (BC F107)
      1751    In dulci jubilo, chorale setting for 4 voices, BWV 368 (BC F110)
      1768    Jauchzet dem Herrn, alle Welt, motet for double chorus (by Telemann, TWV 8:10, not JSB),
                  BWV Anh. 160 (BC C7)
      1751    Jesu meiner Seelen Wonne (I), chorale setting for 4 voices, BWV 359 (BWV 206.1)
      1751    Jesu, der du meine Seele (I), chorale setting for 4 voices, BWV 352 (BC F187.1)
      1751    Jesu, der du meine Seele (II), chorale setting for 4 voices, BWV 353 (BC F187.2)
      1751    Jesu, der du selbsten wohl, chorale setting for 4 voices, BWV 355 (BC F112.1)
      1751    Jesu, du mein habstes Leben, chorale setting for 4 voices BWV 356 (BC F113)
      1751    Jesu, Jesu, du bist mein, chorale setting for 4 voices, BWV 357 (BC F114)
      1751    Jesu, meine Freude, chorale setting for 4 voices, BWV 358 (BC F116)
      1735    Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5)
      1751    Jesu, meiner Seelen Wonne (II), chorale setting for 4 voices, BWV 360 (BC F206.2)
      1751    Jesu, meines Herzens Freud', chorale setting for 4 voices, BWV 361 (BC F117.1)
      1751    Jesu, nun sei gepreiset, chorale for 4 voices, BWV 362 {BC F118)
      1751    Jesus Christus, unser Heiland (I), chorale setting for 4 voices, BWV 363 (BC F121.1)
      1751    Jesus Christus, unser Heiland (II), chorale setting for 4 voices, BWV 363 (BC F121.2)
                  Jesus Christus, unser Heiland (III), chorale setting for 4 voices, BWV 364 (BC V99)
      1751    Jesus, Meine Zuversicht, chorale setting for 4 voices, BWV 365 (BC F123)
      1751    Keinen hat Gott verlassen, chorale setting for 4 voices, BWV 369 (BC F124)
      1729    Klagt, Kinder, klagt es aller Welt (Köthener Trauermusik), cantata for chorus & orchestra,
                  BWV 244a
      1751    Komm, Gott Schöpfer, heiliger Geist, chorale setting for 4 voices, BWV 370 (BC F125)
      1731    Komm, Jesu, komm, motet for chorus & continuo, BWV 229 (BC C3)
      1751    Kyrie, Gott Vater in Ewigkeit, chorale setting for 4 voices, BWV 371 (BC F129)
      1707    Kyrie-Christe, for 5-part chorus & continuo in F major, BWV 233a (BC E7)
      1751    Lass, o Herr, dein Ohr sich neigen, Chorale for 4 voices, BWV 372 (BC F82)
      1751    Liebster Jesu, wir sind hier, chorale setting for 4 voices, BWV 373 (BC F133)
      1751    Lobet den Herrn, alle Heiden, motet for chorus & organ, BWV 230 (BC C6)
      1751    Lobet den Herrn, denn er ist sehr freundlich, chorale setting for 4 voices, BWV 374 (BC F135)
      1751    Lobet Gott, unseren Herren, chorale setting for 4 voices, BWV 1126
      1751    Lobt Gott, ihr Christen, allzugleich (I), chorale setting for 4 voices, BWV 375 (BC F127)
      1751    Lobt Gott, ihr Christen, allzugleich (II), chorale setting for 4 voices, BWV 376 (BC F128)
      1751    Machs mit mir, Gott, nach deiner Güt', chorale setting for 4 voices, BWV 377 (BC F137)
                  Magnificat for chorus, 3 trumpets, timpani, 2 violins, 2 violas & continuo in C major (doubtful),
                  BWV Anh. 30
      1733    Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14)
      1723    Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in E flat major,
                  BWV 243a (BC E14)
      1738    Mass for 3 voices, chorus, 2 flutes, strings & continuo in A major, BWV 234 (BC E3)
      1738    Mass for 3 voices, chorus, 2 oboes, strings & continuo in G minor, BWV 235 (BC E5)
      1738    Mass for 3 voices, chorus, orchestra & continuo in F major, BWV 233 (BC E6)
      1738    Mass for 4 voices, chorus, 2 oboes, strings & continuo in G major, BWV 236 (BC E4)
                  Mass for chorus, 2 violins, viola & continuo in A minor (doubtful), BWV Anh. 24
      1727    Mass for chorus, 3 trombones, strings & continuo in C minor (partly by F. Durante
                  & J. L. Bach), BWV Anh. 26
      1748    Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1)
      1733    Mass: Kyrie & Gloria, for 5 soloists, 6-part chorus, orchestra & continuo in B minor
                  (early version), BWV 232
      1751    Mein' augen schliess ich jetzt, chorale setting for 4 voices, BWV 378 (BC F138)
      1751    Meine Seele erhebt den Herrn, chorale setting for 4 voices, BWV 324 (BC F140)
      1751    Meinem Jesum lass' ich nicht, Jesus, chorale setting for 4 voices, BWV 379 (BC F122)
      1751    Meinem Jesum lass' ich nicht, weil, chorale setting for 4 voices, BWV 380 (BC F141)
      1751    Meines Lebens letzte Zeit, chorale setting for 4 voices, BWV 381 (BC F142)
      1704    Merk auf, mein Herz, und sieh dorthin, motet for double chorus (by Johann Christoph Bach,
                  not JSB), BWV Anh. 163
      1751    Mit Fried und Freud ich fahr dahin, chorale setting for 4 voices, BWV 382 (BC F144)
      1751    Mitten wir im Leben sind, chorale setting for 4 voices, BWV 383 (BC F145)
      1751    Nicht so traurig, nicht so sehr, chorale setting for 4 voices, BWV 384 (BC F146)
      1751    Nun bitten wir den heiligen Geist, chorale setting for 4 voices, BWV 385 (BC F147)
      1751    Nun danket alle Gott, chorale setting for 4 voices, BWV 386 (BC F148.1)
      1730    Nun danket alle Gott, wedding chorale for chorus & orchestra, BWV 252 (BC F148.2)
      1751    Nun freut euch, Gottes Kinder all', chorale setting for 4 voices, BWV 387 (BC F106)
      1751    Nun freut euch, lieben Christen g'mein, chorale setting for 4 voices, BWV 388 (BC F149)
      1751    Nun lob, mein Seel, den Herren (I), chorale setting for 4 voices, BWV 389 (BC F153.1)
      1751    Nun lob, mein Seel, den Herren (II), chorale setting for 4 voices, BWV 390 (BC F153.2)
      1751    Nun preiset alle Gottes Barmherzigkeit, chorale setting for 4 voices, BWV 391 (BC F154)
      1751    Nun ruhen alle Wälder, chorale setting for 4 voices, BWV 392 (BC F166)
      1751    Nun sich der Tag geendet hat, chorale setting for 4 voices BWV 396 (BC F155)
      1751    O Ewigkeit, du Donnerwort, chorale setting for 4 voices, BWV 397 (BC F156)
      1751    O Gott, du frommer Gott (I), chorale setting for 4 voices, BWV 399 (BC F157)
      1751    O Gott, du frommer Gott (II), chorale setting for 4 voices, BWV 398 (BC F45.2b)
      1751    O Gott, du frommer Gott (III), chorale setting for 4 voices, BWV 1125
      1751    O Herzensangst, o Bangigkeit, und Zagen!, chorale setting for 4 voices, BWV 400 (BC F160)
      1707    O hilf Christe, Gottes Sohn, chorale setting for chorus, strings & continuo, BWV 1084 (BC D5)
      1736    O Jesu Christ, meins Lebens Licht, motet for chorus & brass ("Cantata No. 118"),
                  BWV 118a (BC B23a)
      1746    O Jesu Christ, meins Lebens Licht, motet for chorus, brass, continuo & winds ad lib
                  ("Cantata No. 118"), BWV 118b (BC B23b)
      1751    O Lamm Gottes, unschuldig, chorale setting for 4 voices, BWV 401 (BC F162)
      1751    O Mensch, bewein dein Sünde gross, chorale setting for 4 voices, BWV 402 (BC F61)
      1751    O Mensch, schau Jesum Christum an, chorale setting for 4 voices, BWV 403 (BC F163)
      1751    O Traurigkeit, o Herzeleid, chorale setting for 4 voices, BWV 404 (BC F165)
      1751    O Welt, sieh hier dein Leben (I), chorale setting for 4 voices, BWV 393 (BC F166.2)
      1751    O Welt, sieh hier dein Leben (II), chorale setting for 4 voices, BWV 394 (BC F166.5)
      1751    O Welt, sieh hier dein Leben (III), chorale setting for 4 voices, BWV 395 (BC F166.9)
      1751    O wie selig seid ihr doch, ihr Frommen (I), chorale setting for 4 voices, BWV 405 (BC F167)
      1751    O wie selig seid ihr doch, ihr Frommen (II), chorale setting for 4 voices, BWV 406 (BC F7)
      1751    O wir armen Sünder, chorale setting for 4 voices, BWV 407 (BC F168)
      1723    Sanctus, arranged for chorus, cornet, strings & continuo in D major (after an unknown work),
                  BWV 238 (BC E12)
      1738    Sanctus, arranged for chorus, strings & continuo in D minor (after an unknown work),
                  BWV 239
      1747    Sanctus, arranged for double chorus, 2 oboes d'amore, bassoon, strings & continuo in D
                  major (after Kerll), BWV 241 (BC E17)
      1742    Sanctus, for chorus, 2 oboes, strings & continuo in G major (doubtful), BWV 240
      1723    Sanctus, for chorus, 3 trumpets, timpani, 2 oboes, strings & continuo in C major,
                  BWV 237 (BC E10)
      1751    Schaffs mit mir, Gott, nach deinem Willen, chorale setting for 4 voices, BWV 514 (BC F216)
      1751    Schaut, ihr Sünder!, chorale setting for 4 voices, BWV 408 (BC F94.1b)
      1751    Seelen-Bräutigam, chorale setting for 4 voices, BWV 409 (BC F173)
      1751    Sei gegrüsset, Jesu gütig, chorale setting for 4 voices, BWV 410 (BC F174)
      1736    Sei Lob und Preis mit Ehren, motet for chorus & continuo, BWV 231 (BC C7)
      1751    Singet dem Herrn ein neues Lied, chorale setting for 4 voices, BWV 411 (BC F175)
      1726    Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1)
      1726    So gehst du nun, mein Jesu, hin, chorale setting for chorus, strings & continuo, BWV 500a
      1751    So giebst du nun, mein Jesu, gute Nacht, chorale setting for 4 voices, BWV 412 (BC F177)
      1754    So heb ich denn mein Auge sehnlich auf, passion insert for voice, 2 bassoons & continuo
                  (doubtful), BWV 1088 (BC 10/2)
      1751    Sollt' ich meinem Gott nicht singen, chorale setting for 4 voices, BWV 413 (BC F130)
      1724    St. John Passion (Johannespassion), BWV 245 (BC D2)
      1730    St. Luke Passion (Lukaspassion), for 4 voices, chorus, orchestra & continuo (only in part
                  by Bach), BWV 246 (BC D6)
      1731    St. Mark Passion (Markuspassion), for 4 voices, chorus, orchestra & continuo
                  (reconstruction), BWV 247 (BC D4)
      1727    St. Matthew Passion (Matthäuspassion; early version), BWV 244b (BC D3a)
      1736    St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra,
                  BWV 244 (BC D3b)
      1740    Suscepit Israel puerum suum, for chorus, 2 violins & continuo in E minor (after Caldara),
                  BWV 1082 (BC E15)
      1745    Tilge, Höchster, meine Sünden (Psalm 51), parody cantata (after Pergolesi), BWV 1083
                  (BC A193)
      1727    Trauer-Ode: Cantata No. 198, "Lass, Fürstin, lass noch einen Strahl," BWV 198 (BC A120)
      1751    Uns ist ein Kindlein heut' gebor'n, chorale setting for 4 voices, BWV 414 (BC F35)
      1751    Valet will ich dir geben, chorale setting for 4 voices, BWV 415 (BC F18)
      1751    Vater unser im Himmelreich, chorale setting for 4 voices, BWV 416 (BC F181.4a)
      1751    Von Gott will ich nicht lassen (I), chorale setting for 4 voices, BWV 417 (BC F185.1)
      1751    Von Gott will ich nicht lassen (II), chorale setting for 4 voices, BWV 418 (BC F185.2)
      1751    Von Gott will ich nicht lassen (III), chorale setting for 4 voices, BWV 419 (BC F185.3)
      1751    Wär Gott nicht mit uns diese Zeit, chorale setting for 4 voices, BWV 257 (BC F212.2)
      1751    Warum betrübst du dich, mein Herz (I), chorale setting for 4 voices, BWV 420 (BC F189.1)
      1751    Warum betrübst du dich, mein Herz (II), chorale setting for 4 voices, BWV 421 (BC F189.2)
      1751    Warum sollt' ich mich denn grämen, chorale setting for 4 voices, BWV 422 (BC F190)
      1751    Was betrübst du dich, mein Herz, chorale setting for 4 voices, BWV 423 (BC F191)
      1751    Was bist du doch, o Seele, so betrübet, chorale setting for 4 voices, BWV 424 (BC F192)
      1751    Was Gott tut, das ist wohlgetan, chorale setting for 4 voices, BWV 250 (BC F193.3)
      1751    Was willst du dich, o meine Seele, chorale setting for 4 voices, BWV 425 (BC F195)
      1734    Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7)
      1751    Weltlich Ehr' und zeitlich Gut, chorale setting for 4 voices, BWV 426 (BC F197)
      1751    Wenn ich in Angst und Not, chorale setting for 4 voices, BWV 427 (BC F200)
      1751    Wenn mein Stündlein vorhanden ist (I), chorale setting for 4 voices, BWV 428 (BC F201.1)
      1751    Wenn mein Stündlein vorhanden ist (II), chorale setting for 4 voices, BWV 429 (BC F201.2)
      1751    Wenn mein Stündlein vorhanden ist (III), chorale setting for 4 voices, BWV 430 (BC F201.3)
      1751    Wenn wir in höchsten Nöten sein (I), chorale setting for 4 voices, BWV 431 (BC F203.1)
      1751    Wenn wir in höchsten Nöten sein (II), chorale setting for 4 voices, BWV 432 (BC F203.2)
      1751    Wer Gott vertraut, hat wohl gebaut, chorale setting for 4 voices, BWV 433 (BC F204)
      1751    Wer nur den lieben Gott lässt walten, chorale setting for 4 voices, BWV 434 (BC F205)
      1751    Wie bist du, Seele, in mir so gar betrübt, chorale setting for 4 voices, BWV 435 (BC F207)
      1751    Wie schön leuchtet der Morgenstern, chorale setting for 4 voices, BWV 436 (BC F109)
      1751    Wir glauben all' an einen Gott, chorale setting for 4 voices, BWV 437 (BC F211)
      1751    Wo Gott der Herr nicht bei uns hält, chorale setting for 4 voices, BWV 258 (BC F212.3)
      1751    Wo Gott zum Haus nicht gibt sein' Gunst (I), chorale setting for 4 voices, BWV 438 (BC F213)
      1751    Wo Gott zum Haus nicht gibt sein' Gunst (II), chorale setting for 4 voices, BWV 1123

3. Concerto
      1721    Brandenburg Concerto No. 1 in F major, BWV 1046
      1721    Brandenburg Concerto No. 2 in F major, BWV 1047
      1721    Brandenburg Concerto No. 3 in G major, BWV 1048
      1721    Brandenburg Concerto No. 4 in G major, BWV 1049
      1721    Brandenburg Concerto No. 5 in D major, BWV 1050
      1721    Brandenburg Concerto No. 6 in B flat major, BWV 1051
      1721    Brandenburg Concertos (6), for various soloists, strings & continuo, BWV 1046-1051
                  (BC V99)
      1732    Concerto for 2 harpsichords, strings & continuo in C major, BWV 1061
      1736    Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060
      1736    Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1062
      1730    Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043
      1730    Concerto for 3 harpsichords, strings & continuo in C major, BWV 1064
      1730    Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063
      1725    Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest
      1978    Concerto for 3 violins, strings & continuo in D major (reconstruction), BWV 1064R
      1730    Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065
      1719    Concerto for flute (or recorder), violin, strings & continuo in D major, BWV 1050a
      1729    Concerto for flute, violin, harpsichord, strings & continuo in A minor ("Triple"), BWV 1044
      1738    Concerto for harpsichord, 2 recorders, strings & continuo No. 6 in F major, BWV 1057
      1738    Concerto for harpsichord, oboe, strings & continuo No. 8 in D minor (incomplete), BWV 1059
      1734    Concerto for harpsichord, strings & continuo in D minor (arranged by C.P.E. Bach),
                  BWV 1052a
      1738    Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052
      1738    Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053
      1738    Concerto for harpsichord, strings & continuo No. 3 in D major, BWV 1054
      1738    Concerto for harpsichord, strings & continuo No. 4 in A major, BWV 1055
      1738    Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056
      1738    Concerto for harpsichord, strings & continuo No. 7 in G minor, BWV 1058
      1926    Concerto for oboe (or violin), strings & continuo in G minor (reconstruction), BWV 1056R
      1921    Concerto for oboe & violin (or 2 violins), strings & continuo (reconstruction), BWV 1060R
      1969    Concerto for oboe d'amore, strings & continuo in A major (reconstruction), BWV 1055R
      1970    Concerto for oboe, strings & continuo in D minor (reconstruction), BWV 1059R
      1955    Concerto for oboe, violin, strings & continuo in F major (reconstruction), BWV 1053R
                  Concerto for solo keyboard in G major, BWV Anh. 152 (doubtful)
      1713    Concerto for solo organ No. 1 in G major (after Duke Johann Ernst), BWV 592 (BC J88)
      1970    Concerto for violin, strings & continuo in D minor (reconstruction), BWV 1052R
      1730    Concerto for violin, strings & continuo No. 1 in A minor, BWV 1041
      1730    Concerto for violin, strings & continuo No. 2 in E major, BWV 1042
      1743    Sinfonia for violin, 3 trumpets, timpani, 2 oboes, strings & continuo in D major,
                  BWV 1045 (BC A193)

4. Keyboard
      1748    Ach bleib' bei uns, Herr Jesu Christ, chorale prelude for organ ("Schübler No. 5"),
                  BWV 649 (BC K26)
      1715    Ach Gott und Herr, chorale prelude "per canonem" for organ, BWV 714 (BC K172)
      1749    Ach Gott und Herr, chorale prelude for organ (by J. G. Walther, not JSB), BWV 692
      1749    Ach Gott und Herr, chorale prelude for organ (by J. G. Walther, not JSB), BWV 693
      1751    Ach Gott vom Himmel sieh darein, chorale prelude for organ, BWV 741 (BC K135)
      1710    Ach Gott, tu dich erbarmen, chorale prelude for organ (Neumeister Chorale No. 20),
                  BWV 1109 (BC K182)
      1733    Ach Herr, mich armen Sünder, chorale prelude for organ, BWV 742 (BC K173)
      1713    Ach wie nichtig, ach wie flüchtig, chorale prelude for organ (Orgel-Büchlein No. 46),
                  BWV 644 (BC K73)
      1740    Ach, was ist doch unser Leben, chorale prelude for organ, BWV 743 (BC K121)
      1751    Ach, was soll ich Sünder machen, chorale partita for organ, BWV 770 (BC K93)
      1751    Ach, was soll ich Sünder machen, chorale prelude for organ (Rudorff Collection), BWV deest
      1751    Acht kleine Praeludien und Fugen (8), for organ (doubtful), BWV 553-560 (BC J28-35)
      1720    Adagio, for keyboard in G major, BWV 968 (BC L185)
      1709    Alla breve, for organ in D major, BWV 589 (BC J64)
      1713    Alle Menschen müssen sterben (I), chorale prelude for organ (Orgel-Büchlein No. 45),
                  BWV 643 (BC K72)
      1710    Alle Menschen müssen sterben (II), chorale prelude for organ (Neumeister
                  Chorale No. 28), BWV 1117 (BC K190)
      1723    Allein Gott in der Höh sei Ehr (I), chorale prelude for organ (Achtzehn Choräle No. 11),
                  BWV 662 (BC K85)
      1718    Allein Gott in der Höh sei Ehr (II), chorale prelude for organ (Weimar version), BWV 662a
      1723    Allein Gott in der Höh sei Ehr (III), chorale prelude for organ (Achtzehn Choräle No. 12),
                  BWV 663 (BC K86)
      1718    Allein Gott in der Höh sei Ehr (IV), chorale prelude for organ (Weimar version), BWV 663a
      1710    Allein Gott in der Höh sei Ehr (IX), chorale prelude for organ, BWV 717 (BC K106)
      1739    Allein Gott in der Höh sei Ehr (V), chorale prelude for organ (Clavier-Übung III/7),
                  BWV 675 (BC K7)
      1739    Allein Gott in der Höh sei Ehr (VI), chorale prelude for organ (Clavier-Übung III/8),
                  BWV 676 (BC K8)
      1708    Allein Gott in der Höh sei Ehr (VII), chorale prelude for organ, BWV 711 (BC K140)
      1727    Allein Gott in der Höh sei Ehr (VIII), chorale prelude for organ, BWV 715 (BC K128)
      1735    Allein Gott in der Höh sei Ehr, chorale partita for organ (doubtful; perhaps by Andreas
                  Nicolaus Vetter), BWV 771
      1800    Allein Gott in der Höh sei Ehr, chorale prelude for organ (doubtful), BWV Anh. 48
      1710    Allein zu dir, Herr Jesu Christ, chorale prelude for organ (Neumeister Chorale No. 11),
                  BWV 1100 (BC K171)
      1720    Allemande, for keyboard in G minor (collaboration with W.F. Bach; incomplete),
                  BWV 837 (BC A41)
      1720    Allemande, for keyboard in G minor (collaboration with W.F. Bach), BWV 836 (BC A40)
      1710    Als Jesus Christus in der Nacht, chorale prelude for organ (Neumeister Chorale No. 19),
                  BWV 1108 (BC K181)
      1723    An Wasserflüssen Babylon (I), chorale prelude for organ, BWV 653 (BC K76)
      1719    An Wasserflüssen Babylon (II), chorale prelude for organ, BWV 653a (BC K76)
      1723    An Wasserflüssen Babylon (III), chorale prelude for organ, BWV 653b (BC K76)
      1751    Andante, for keyboard in G minor (doubtful), BWV 969 (BWV Anh 111)
      1720    Applicatio, for keyboard in C major, BWV 994 (BC Q1)
      1710    Aria variata, for keyboard in A minor ("In the Italian Style"), BWV 989 (BC L179)
      1726    Aria, for organ in F major (doubtful), BWV 587
      1780    Auf meinen lieben Gott, chorale prelude for organ (doubtful, perhaps by J.L. Krebs),
                  BWV 744 (BC K122)
      1800    Auf meinen lieben Gott, chorale prelude for organ (doubtful), BWV deest
      1789    Aus der Tiefe rufe ich, chorale prelude for organ (by C.P.E. Bach, not JSB), BWV 745
      1739    Aus tiefer Not schrei ich zu dir (I), chorale prelude for organ á 6 (Clavier-Übung III/18),
                  BWV 686 (BC K18)
      1739    Aus tiefer Not schrei ich zu dir (II), chorale prelude for organ á 4 (Clavier-Übung III/19),
                  BWV 687 (BC K19)
      1710    Aus tiefer Not schrei ich zu dir (III), chorale prelude for organ (Neumeister Chorale No. 10),
                  BWV 1099 (BC K170)
      1720    Bass-Sketch, for keyboard in G minor (WFN 30), BWV deest
      1751    Canon concordia discors, for 2 unspecified instruments (or keyboard) in D major, BWV 1086
      1751    Canon in 2 parts: Moderato, for organ in G minor (doubtful), BWV Anh. 72
      1705    Canzona, for organ in D minor, BWV 588 (BC J80)
      1725    Capriccio in honorem Johann Christoph Bach ii, for keyboard in E major, BWV 993 (BC L180)
      1705    Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major,
                  BWV 992 (BC L181)
      1825    Chorale Trios (5), for organ (doubful), BWV deest (Series IV: 3-7)
      1713    Christ ist erstanden (I), chorale prelude for organ (Orgel-Büchlein No. 29), BWV 627
                  (BC K57)
      1715    Christ ist erstanden (II), chorale prelude for organ, BWV 746 (by J. C. F. Fischer,
                  not J. S. Bach)
      1848    Christ lag in Todes Banden (IV), chorale setting for organ (Körner Choralvorspiele,
                  doubtful), BWV deest
      1713    Christ lag in Todesbanden (I), chorale prelude for organ (Orgel-Büchlein No. 27),
                  BWV 625 (BC K55)
      1712    Christ lag in Todesbanden (II), chorale prelude for organ, BWV 718 (BC K119)
      1700    Christ, der du bist der helle Tag, chorale partita for organ , BWV 766 (BC K94)
      1705    Christ, der du bist der helle Tag, chorale prelude for organ, BWV 1120 (BC K194)
      1705    Christ, der du bist Tag und Licht, chorale prelude for organ, BWV 1096 (BC K194)
      1739    Christ, unser Herr, zum Jordan kam (I), chorale prelude for organ (Clavier-Übung III/16),
                  BWV 684 (BC K16)
      1739    Christ, unser Herr, zum Jordan kam (II), chorale prelude for organ
                  (Clavier-Übung III/17), BWV 685 (BC K17)
      1739    Christe, aller Welt Trost (I), chorale prelude for organ (Clavier-Übung III/2),
                  BWV 670 (BC K2)
      1739    Christe, aller Welt Trost (II), chorale prelude for organ (Clavier-Übung No. 5),
                  BWV 673 (BC K5)
      1713    Christe, du Lamm Gottes, chorale prelude for organ (Orgel-Büchlein No. 21),
                  BWV 619 (BC K19)
      1713    Christum wir sollen loben schon, chorale prelude for organ (Orgel-Büchlein No. 13),
                  BWV 611 (BC K40)
      1739    Christum wir sollen loben schon, chorale prelude for organ, BWV 696 (BC K142)
      1710    Christus, der ist mein Leben, chorale prelude for organ, BWV 1112 (BC K185)
      1713    Christus, der uns selig macht (I), chorale prelude for organ (Orgel-Büchlein No. 22),
                  BWV 620 (BC K49)
      1713    Christus, der uns selig macht (II), chorale prelude for organ, BWV 620a
      1731    Christus, der uns selig macht (III), chorale prelude for organ, BWV 747 (BC K102)
      1731    Chromatic Fantasia and Fugue, for keyboard in D minor ("Rust" version), BWV 903a
      1723    Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34)
      1715    Ciacona, for keyboard No. 3 in G major (by Johann Bernhard Bach, not JSB), BWV Anh. 84
      1739    Clavier-Übung III (German Organ Mass), collection for keyboard containing 27 pieces
      1731    Clavier-Übung, collection for keyboard containing 36 pieces in 4 volumes
      1800    Concerto and Fugue, for solo keyboard in C minor (doubtful), BWV 909
      1732    Concerto for 2 harpsichords in C major, BWV 1061a
      1713    Concerto for solo keyboard in G major (after Duke Johann Ernst), BWV 592a (BC K192)
      1713    Concerto for solo keyboard No. 1 in D major (after Vivaldi Op. 3/9), BWV 972 (BC L189)
      1713    Concerto for solo keyboard No. 10 in C minor (after Benedetto Marcello),
                  BWV 981 (BC L195)
      1713    Concerto for solo keyboard No. 11 in B flat major (after Duke Johann Ernst Op. 1/1),
                  BWV 982 (BC L200)
      1713    Concerto for solo keyboard No. 12 in G minor (after unknown source), BWV 983 (BC L204)
      1713    Concerto for solo keyboard No. 13 in C major (after Duke Johann Ernst),
                  BWV 984 (BC L197)
      1713    Concerto for solo keyboard No. 14 in G minor (after Georg Philipp Telemann,
                  TWV 51:g21), BWV 985 (BC L201)
      1713    Concerto for solo keyboard No. 15 in G major (after unknown source), BWV 986 (BC L203)
      1713    Concerto for solo keyboard No. 16 in D minor (after Duke Johann Ernst, Op. 1/4),
                  BWV 987 (BC L198)
      1713    Concerto for solo keyboard No. 2 in G major (after Vivaldi Op. 7/2, RV 299),
                  BWV 973 (BC L191)
      1713    Concerto for solo keyboard No. 3 in D minor (after Alessandro Marcello),
                  BWV 974 (BC L194)
      1713    Concerto for solo keyboard No. 4 in G minor (after Vivaldi Op. 4/6, RV 316),
                  BWV 975 (BC L193)
      1713    Concerto for solo keyboard No. 5 in C major (after Vivaldi Op. 3/12, RV 265),
                  BWV 976 (BC L188)
      1713    Concerto for solo keyboard No. 6 in C major (after unknown source), BWV 977 (BC L202)
      1713    Concerto for solo keyboard No. 7 in F major (after Vivaldi Op. 3/3, RV 310),
                  BWV 978 (BC L190)
      1713    Concerto for solo keyboard No. 8 in B minor (after Torelli), BWV 979 (BC L196)
      1713    Concerto for solo keyboard No. 9 in G major (after Vivaldi Op. 4/1, RV 381),
                  BWV 980 (BC L192)
      1740    Concerto for solo organ [No. 6] in E flat major (after unknown source; highly doubtful),
                  BWV 597
      1713    Concerto for solo organ No. 2 in A minor (after Vivaldi Op. 3/8, RV 522), BWV 593 (BC J86)
      1713    Concerto for solo organ No. 3 in C major (after Vivaldi Op. 7ii/5, RV 208),
                  BWV 594 (BC J84)
      1713    Concerto for solo organ No. 4 in C major (after Duke Johann Ernst), BWV 595 (BC J87)
      1713    Concerto for solo organ No. 5 in D minor (after Vivaldi Op. 3/11, RV 565), BWV 596
                  (BC J85)
      1742    Courante, for keyboard in G major (by Georg Phillipp Telemann TWV 32:13, not JSB),
                  BWV 840
      1713    Da Jesus an dem Kreuze stund', chorale prelude for organ (Orgel-Büchlein No. 23),
                  BWV 621 (BC K50)
      1713    Das alte Jahr vergangen ist (I), chorale prelude for organ (Orgel-Büchlein No. 16),
                  BWV 614 (BC K43)
      1710    Das alte Jahr vergangen ist (II), chorale prelude for organ (Neumeister Chorale No. 2),
                  BWV 1091 (BC K162)
      1779    Das alte Jahr vergangen ist (III), chorale prelude for organ (doubtful), BWV deest
      1751    Das Jesulein soll doch mein Trost, fughetta for organ, BWV 702 (BC K143)
      1713    Das Orgelbüchlein, chorales for organ (46), BWV 599-644
      1713    Der Tag, der ist so freudenreich (I), chorale prelude for organ (Orgel-Büchlein No. 7),
                  BWV 605 (BC K34)
      1710    Der Tag, der ist so freudenreich (II), chorale prelude for organ, BWV 719 (BC K34)
      1751    Der Tag, der ist so freudenreich (III), chorale prelude for organ (Ruhdorff Collection),
                  BWV deest
      1742    Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080
      1713    Dies sind die heilgen zehn Gebot (I), chorale prelude for organ (Orgel-Büchlein No. 37),
                  BWV 635 (BC K64)
      1739    Dies sind die heilgen zehn Gebot (II), chorale prelude for organ (Clavier-Übung III
                  No. 11), BWV 678 (BC K10)
      1710    Du Friedenfürst, Herr Jesu Christ, chorale prelude for organ (Neumesiter Chorale
                  No. 13), BWV 1102 (BC K175)
      1739    Duetto, for keyboard No. 1 in E minor (Clavier-Übung III No. 23), BWV 802 (BC J74)
      1739    Duetto, for keyboard No. 2 in F major (Clavier-Übung III No. 24), BWV 803 (BC J75)
      1739    Duetto, for keyboard No. 3 in G major (Clavier-Übung III No. 25), BWV 804 (BC J76)
      1739    Duetto, for keyboard No. 4 in A minor (Clavier-Übung III No. 26), BWV 805 (BC J77)
      1713    Durch Adams Fall ist ganz verderbt (I), chorale prelude for organ (Orgel-Büchlein No. 39),
                  BWV 637 (BC K66)
      1751    Durch Adams Fall ist ganz verderbt (II), chorale prelude for organ, BWV 637 (BC K144)
      1710    Durch Adams Fall ist ganz verderbt (III), chorale prelude for organ (Neumeister Chorale
                  No. 12), BWV 1101 (BC K174)
      1708    Durch Adams Fall ist ganz verderbt (IV), fughetta for organ in D minor (Kirnberger
                  Collection), BWV 705
      1710    Ehre sei dir, Christe, der du leidest Not, chorale prelude for organ (Neumesiter Chorale
                  No. 8), BWV 1097 (BC K168)
      1695    Ein feste Burg ist unser Gott, chorale prelude for organ (by Johann Michael Bach,
                  not JSB), BWV 720 (BC K103)
      1800    Ein feste Burg ist unser Gott, chorale prelude for organ (doubtful), BWV Anh. 49
      1720    English Suite, for keyboard No. 1 in A major, BWV 806 (BC L13)
      1720    English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14)
      1720    English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15)
      1720    English Suite, for keyboard No. 4 in F major, BWV 809 (BC L16)
      1720    English Suite, for keyboard No. 5 in E minor, BWV 810 (BC L17)
      1720    English Suite, for keyboard No. 6 in D minor, BWV 811 (BC L18)
      1740    Erbarm dich mein, o Herre Gott, chorale prelude for organ, BWV 721 (BC K107)
      1710    Erhalt uns, Herr, bei deinem Wort (I), chorale prelude for organ (Neumeister Chorale
                  No. 14), BWV 1103 (BC K181)
      1800    Erhalt uns, Herr, bei deinem Wort (II), chorale prelude for organ (doubtful), BWV Anh. 50
      1713    Erschienen ist der herrliche Tag, chorale prelude for organ (Orgel-Büchlein No. 31),
                  BWV 629 (BC K59)
      1713    Erstanden ist der heil'ge Christ (I), chorale prelude for organ (Orgel-Büchlein No. 30),
                  BWV 628 (BC K58)
      1780    Erstanden ist der heil'ge Christ (II), chorale prelude for organ, BWV Anh. 51 (doubtful)
      1713    Es ist das Heil uns kommen her (I), chorale prelude for organ (Orgel-Büchlein No. 40),
                  BWV 638 (BC K67)
      1710    Es ist das Heil uns kommen her (II), chorale prelude for organ, BWV 638a
      1751    Es spricht der unweisen Mund, chorale prelude for organ (Rudorff Collection), BWV deest
      1727    Fantasia and Fughetta, for keyboard in B flat major (by Gottfried Kirchhoff, not JSB),
                  BWV 907
      1727    Fantasia and Fughetta, for keyboard in D major (by Gottfried Kirchhoff, not JSB), BWV908
      1725    Fantasia and Fugue, for keyboard in A minor, BWV 904 (BC L136)
      1714    Fantasia and Fugue, for keyboard in A minor, BWV 944 (BC L135)
      1704    Fantasia and Fugue, for keyboard in C minor (fugue incomplete), BWV 906 (BC L133, 138)
      1720    Fantasia and Fugue, for keyboard in D minor (doubtful), BWV 905
      1800    Fantasia and Fugue, for organ in A minor (doubtful), BWV 561
      1730    Fantasia and Fugue, for organ in C minor (fugue incomplete), BWV 562 (BC J41, 56)
      1723    Fantasia and Fugue, for organ in C minor, BWV 537 (BC J40)
      1725    Fantasia and Fugue, for organ in G minor ("Great"), BWV 542 (BC J42, 57, 67)
      1750    Fantasia for keyboard in C minor (by Johann Bernhard Bach, not JSB), BWV 919
                  Fantasia for keyboard in G minor (doubtful), BWV 920
      1710    Fantasia for keyboard in G minor, BWV 917 (BC L140)
      1707    Fantasia for organ in B minor, BWV 563 (BC J43)
      1722    Fantasia for organ in C major (fragment), BWV 573 (BC J50)
      1708    Fantasia for organ in C major, BWV 570 (BC J49)
      1706    Fantasia for organ in C minor, BWV 1121 (formerly BW Anh. 205)
      1720    Fantasia for organ in G major, BWV 571 (BC J82)
      1712    Fantasia for organ in G major, BWV 572 (BC J83)
      1708    Fantasia super Christ lag in Todes Banden, chorale prelude for organ (doubtful), BWV 695a
      1708    Fantasia super Christ lag in Todes Banden, chorale prelude for organ, BWV 695 (BC K136)
      1751    Fantasia super Jesu, meine Freude, chorale prelude for organ, BWV 713 (BC K138)
      1723    Fantasia super Komm, Heiliger Geist, chorale prelude for organ (Achtzehn Choräle No. "0"),
                  BWV 651 (BC K74)
      1714    Fantasia super Komm, Heiliger Geist, chorale prelude for organ, BWV 651a
      1708    Fantasia super Valet will ich dir geben, chorale prelude for organ, BWV 735 (BC K104)
      1740    Fantasia über ein rondo, for keyboard in C minor, BWV 918 (BC L139)
      1722    French Suite, for keyboard No. 1 in D minor, BWV 812 (BC L19)
      1722    French Suite, for keyboard No. 2 in C minor (variant), BWV 813a
      1722    French Suite, for keyboard No. 2 in C minor, BWV 813 (BC L20)
      1722    French Suite, for keyboard No. 3 in B minor (variant), BWV 814a
      1722    French Suite, for keyboard No. 3 in B minor, BWV 814 (BC L21)
      1722    French Suite, for keyboard No. 4 in E flat major (variant), BWV 815a
      1722    French Suite, for keyboard No. 4 in E flat major, BWV 815 (BC L22)
      1722    French Suite, for keyboard No. 5 in G major, BWV 816 (BC L23)
      1722    French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24)
      1722    French Suites (6), for keyboard, BWV 812-817 (BC L19-24)
      1800    Freu dich sehr, o meine Seele, chorale prelude for organ, BWV Anh. 52
      1800    Freu dich sehr, o meine Seele, chorale prelude for organ, BWV Anh. 53
      1751    Fuga sopra il Magnificat: Meine Seele erhebet den Herren, fugue for organ (by J. L. Krebs,
                  not JSB), BWV 733 (BC K120)
      1751    Fuga super Allein Gott in der Höh sei Ehr, fugal fantasia for organ, BWV 716 (BC K141)
      1739    Fuga super Jesus Christus unser Heiland, fugue for organ (Clavier-Übung III/21),
                  BWV 689 (BC K21)
      1712    Fughetta for keyboard in C minor, BWV 961 (BC L158)
      1739    Fughetta super Allein Gott in der Höh sei Ehr, for organ (Clavier-Ubung III/9),
                  BWV 677 (BC K9)
      1739    Fughetta super Dies sind die heilgen zehn Gebot, for organ (Clavier-Übung III/11),
                  BWV 679 (BC K11)
      1739    Fughetta super Wir glauben all an einen Gott, for organ (Clavier-Übung III/13),
                  BWV 681 (BC K13)
      1715    Fugue for keyboard in A major, BWV 949 (BC L154)
      1800    Fugue for keyboard in A minor (doubtful), BWV 947 (BC L157)
      1800    Fugue for keyboard in A minor (doubtful), BWV 958 (BC L155)
      1751    Fugue for keyboard in A minor, BWV 959 (BC L156)
      1730    Fugue for keyboard in B flat major (by Johann Christoph Erselius, not JSB), BWV 955
      1730    Fugue for keyboard in B flat major (doubtful arrangement after Reincken),
                  BWV 954 (BC L163)
      1773    Fugue for keyboard in C major (doubtful), BWV Anh. 90
      1723    Fugue for keyboard in C major (from Clavier-Büchlein W. F. Bach), BWV 953 (BC L149)
      1751    Fugue for keyboard in C major, BWV 952 (BC L150)
      1773    Fugue for keyboard in D minor (by J. P. Kellner, not JSB), BWV Anh. 180
      1727    Fugue for keyboard in D minor, BWV 948 (BC L151)
      1760    Fugue for keyboard in E minor (doubtful), BWV 956 (BC L152)
      1761    Fugue for keyboard in E minor (probably by Graupner, not JSB), BWV 945
      1783    Fugue for organ (or piano) in E minor (by Albrechtsberger; not JSB), BWV 962
      1708    Fugue for organ in C minor, BWV 575 (BC J60)
      1751    Fugue for organ in D major (doubtful), BWV 580 (BC J65)
      1710    Fugue for organ in D major (variant), BWV 532a (BC J70)
      1786    Fugue for organ in G major (by G. A. Homilius, not JSB), BWV 581
      1751    Fugue for organ in G major (doubtful), BWV 576
      1750    Fugue for organ in G major, BWV 577 (BC J61)
      1707    Fugue for organ in G minor ("Little"), BWV 578 (BC J66)
      1707    Fugue for organ in G minor, BWV 131a (BC J62)
      1710    Fugue on a theme by Albinoni, for keyboard in A major, BWV 950 (BC L161)
      1712    Fugue on a theme by Albinoni, for keyboard in B minor (variant), BWV 951a
      1712    Fugue on a theme by Albinoni, for keyboard in B minor, BWV 951 (BC L162)
      1708    Fugue on a theme by Albinoni, for keyboard in C major, BWV 946 (BC L160)
      1710    Fugue on a theme by Corelli, for organ in B minor, BWV 579 (BC J68)
      1751    Fugue on a theme by Legrenzi, for organ in C minor (variant I), BWV 574a
      1708    Fugue on a theme by Legrenzi, for organ in C minor, BWV 574 (BC J63)
      1800    Fugue on B-A-C-H, for keyboard in G minor (doubtful), BWV Anh. 109
      1713    Gelobet seist du, Jesu Christ (I), chorale prelude for organ (Orgel-Büchlein No. 6),
                  BWV 604 (BC K33)
      1739    Gelobet seist du, Jesu Christ (II), chorale prelude for organ, BWV 697 (BC K147)
      1751    Gelobet seist du, Jesu Christ (III), chorale prelude for organ, BWV 722 (BC K114)
      1695    Gelobet seist du, Jesu Christ, chorale prelude for organ (by Johann Micheal Bach, not JSB)
                  formerly BWV 723
      1800    Gigue for keyboard in F minor (doubtful), BWV 845
      1741    Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9)
      1749    Gott der Vater wohn uns bei, chorale prelude for organ (by J. G. Walther, not JSB), BWV 748
      1710    Gott ist mein Heil, mein Hilf und Trost, chorale prelude for organ (Neumeister Chorale No. 17),
                  BWV 1106 (BC K179)
      1705    Gott, durch deine Güte (Gottes Sohn ist kommen), chorale prelude for organ,
                  BWV 724 (BC K29)
      1713    Gott, durch deine Güte, chorale prelude for organ (Orgel-Büchlein No. 2),
                  BWV 600 (BC K29)
      1739    Gottes Sohn ist kommen, chorale prelude for organ, BWV 703 (BC K148)
      1713    Helft mir Gottes Güte preisen (I), chorale prelude for organ (Orgel-Büchlein No. 15),
                  BWV 613 (BC K42)
      1800    Helft mir Gottes Güte preisen (II), chorale prelude for organ (doubtful), BWV Anh. 54
      1713    Herr Christ, der einig Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 3),
                  BWV 601 (BC K30)
      1714    Herr Christ, der einig Gottes Sohn (II), chorale prelude for organ (doubtful), BWV Anh. 2/55
      1751    Herr Christ, der einig Gottes Sohn (III), chorale prelude for organ (Rinck Collection),
                  BWV deest
      1739    Herr Christ, der einig Gottes Sohn, fughetta for organ, BWV 698 (BC K149)
      1718    Herr Christ, der einig Gottessohn, chorale partita for organ (doubtful), BWV Anh. 77
      1751    Herr Gott, dich loben wir, chorale prelude for organ, BWV 725 (BC K99)
      1713    Herr Gott, nun schleuss den Himmel auf (I), chorale prelude for organ (Orgel-Büchlein No. 19),
                  BWV 617 (BC 46)
      1710    Herr Gott, nun schleuss den Himmel auf (II), chorale prelude for organ (Neumeister Chorale
                  No. 3), BWV 1092 (BC K163)
      1713    Herr Jesu Christ, dich zu uns wend (I), chorale prelude for organ (Orgel-Büchlein No. 34),
                  BWV 632 (BC K62)
      1708    Herr Jesu Christ, dich zu uns wend (II), chorale prelude for organ, BWV 709 (BC K150)
      1726    Herr Jesu Christ, dich zu uns wend (III), chorale prelude for organ, BWV 726 (BC K130)
      1700    Herr Jesu Christ, dich zu uns wend (IV), chorale prelude for organ, BWV 749 (BC K195)
      1710    Herr Jesu Christ, du höchstes Gut, chorale prelude for organ (Neumeister Chorales No. 26),
                  BWV 1114 (BC K187)
      1700    Herr Jesu Christ, meins Lebens Licht, chorale prelude for organ, BWV 750 (BC K196)
      1751    Herr Jesu Christ, wah'r Mensch und Gott (I), chorale prelude for organ (Rudorff Collection),
                  BWV deest
      1751    Herr Jesu Christ, wah'r Mensch und Gott (II), chorale prelude for organ (Rudorff Collection),
                  BWV deest
      1705    Herzlich lieb hab ich dich, o Herr, chorale prelude for organ (Neumeister Chorale No. 26),
                  BWV 1115 (BC K188)
      1740    Herzlich tut mich verlangen, chorale prelude for organ, BWV 727 (BC K109)
      1705    Herzliebster Jesu, was hast du verbrochen (I), chorale prelude for organ (Neumeister Chorale
                  No. 4), BWV 1093 (BC K164)
      1713    Heut triumphieret Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 32),
                  BWV 630 (BC K60)
      1718    Heut triumphieret Gottes Sohn (II), chorale prelude for organ, BWV 630a
      1713    Hilf Gott, dass mir's gelinge, chorale prelude for organ (Orgel-Büchlein No. 26), BWV 624
                  (BC K53)
      1713    Ich dich hab ich gehoffet, Herr, chorale prelude for organ (Orgel-Büchlein No. 42), BWV 640
                  (BC K69)
      1751    Ich hab mein Sach Gott heimgestellt (I), chorale prelude for organ, BWV 707 (BC K137)
      1731    Ich hab mein Sach Gott heimgestellt (II), chorale prelude for organ, BWV 708 (BC K158)
      1731    Ich hab mein Sach Gott heimgestellt (III), chorale prelude for organ, BWV 708a (BC K158)
      1710    Ich hab mein Sach Gott heimgestellt (IV), chorale prelude for organ (Neumeister Chorale
                  No. 24), BWV 1113 (BC K186)
      1713    Ich ruf zu dir, Herr Jesu Christ (I), chorale prelude for organ (Orgel-Büchlein No. 41),
                  BWV 639 (BC K68)
      1751    Ich ruf zu dir, Herr Jesu Christ (II), chorale prelude for organ (Rinck Collection), BWV deest
      1789    Ich ruf zu dir, Herr Jesu Christ (III), chorale prelude for organ (arrangement by C. P. E. Bach),
                  BWV Anh. 73
      1751    In dich hab ich gehoffet, Herr, chorale prelude for organ, BWV 712 (BC K151)
      1713    In dir ist Freude, chorale prelude for organ (Orgel-Büchlein No. 17), BWV 615 (BC K44)
      1713    In dulci jubilo (I), chorale prelude for organ (Orgel-Büchlein No. 10), BWV 608 (BC K37)
      1751    In dulci jubilo (II), chorale prelude for organ, BWV 729 (BC K115)
      1730    In dulci jubilo (III), chorale prelude for organ, BWV 729a
      1695    In dulci jubilo (IV), chorale prelude for organ (by Johann Micheal Bach, not J.S.), BWV 751
      1735    Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7)
                  Jesu Leiden, Pein und Tod, chorale prelude for organ, BWV Anh. 57 (doubtful)
      1740    Jesu, der du meine Seele, chorale prelude for organ, BWV 752
      1713    Jesu, meine Freude (I), chorale prelude for organ (Orgel-Büchlein No. 12), BWV 610
                  (BC K39)
      1723    Jesu, meine Freude (II), chorale prelude for organ (incomplete), BWV 753 (BC K124)
      1710    Jesu, meine Freude (III), chorale prelude for organ (Neumeister Chorale No. 16),
                  BWV 1105 (BC K178)
      1800    Jesu, meine Freude (IV), chorale prelude for organ (doubtful), BWV Anh. 58
      1800    Jesu, meine Freude (V), chorale prelude for organ (doubtful), BWV Anh. 59
      1710    Jesu, meines Lebens Leben (I), chorale prelude for organ (Neumeister Chorales No. 18),
                  BWV 1107 (BC K180)
      1800    Jesu, meines Lebens Leben (II), chorale setting for organ (Rinck Collection, doubtful),
                  BWV deest Emans 121
      1713    Jesus Christus, unser Heiland (I), chorale prelude for organ (Orgel-Büchlein No. 28),
                  BWV 626 (BC K56)
      1723    Jesus Christus, unser Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 14),
                  BWV 665 (BC K88)
      1740    Jesus Christus, unser Heiland (III), chorale prelude for organ, BWV 665a
      1723    Jesus Christus, unser Heiland (IV), chorale prelude for organ (Achtzehn Choräle No. 15),
                  BWV 666 (BC K89)
      1740    Jesus Christus, unser Heiland (V), chorale prelude for organ, BWV 666a
      1739    Jesus Christus, unser Heiland (VI), chorale prelude for organ (Clavier-Übung III/20),
                  BWV 688 (BC K20)
      1722    Jesus, meine Zuversicht, chorale prelude for organ (Anna Magdalena Clavier-Büchlein no. 1/8),                   BWV 728 (BC K101)
      1714    Kleines harmonisches Labyrinth, for organ in C major (doubtful, by J. D. Heinchen, not JSB),
                  BWV 591 (BC J81)
      1713    Komm, Gott Schöpfer, heiliger Geist (I), chorale prelude for organ (Orgel-Büchlein No. 33),
                  BWV 631 (BC K61)
      1727    Komm, Gott Schöpfer, heiliger Geist (II), chorale prelude for organ, BWV 631a
      1723    Komm, Gott Schöpfer, heiliger Geist (III), chorale prelude for organ (Achtzehn Choräle
                  No. 17), BWV 667 (BC K90)
      1749    Komm, Gott Schöpfer, heiliger Geist (IV), chorale prelude for organ, BWV 667a
      1718    Komm, Gott Schöpfer, heiliger Geist (V), chorale prelude for organ, BWV 667b
      1723    Komm, heiliger Geist (I), chorale prelude for organ (Achtzehn Choräle No. 1), BWV 652
                  (BC K75)
      1718    Komm, heiliger Geist (II), chorale prelude for organ, BWV 652a
      1751    Komm, heiliger Geist, erfüll die Herzen, chorale prelude for organ (Rinck Collection),
                  BWV deest
      1748    Kommst du nun, Jesu, vom Himmel herunter, chorale prelude for organ (Schübler Chorale
                  No. 6), BWV 650 (BC K27)
      1800    Kommt her zu mir, spricht Gottes Sohn, chorale setting for organ (Rinck Collection, doubtful),
                  BWV deest Emans 125
      1739    Kyrie, Gott heiliger Geist (I), chorale prelude for organ (Clavier-Übung III/3), BWV 671
                  (BC K3)
      1739    Kyrie, Gott heiliger Geist (II), chorale prelude for organ (Clavier-Übung III/6), BWV 674
                  (BC K6)
      1739    Kyrie, Gott Vater in Ewigkeit (I), chorale prelude for organ (Clavier-Übung III/1),
                  BWV 669 (BC K1)
      1739    Kyrie, Gott Vater in Ewigkeit (II), chorale prelude for organ (Clavier-Übung III/4),
                  BWV 672 (BC K4)
      1713    Liebster Jesu, wir sind hier (I), chorale prelude for organ (Orgel-Büchlein No. 35),
                  BWV 633 (BC K63b)
      1713    Liebster Jesu, wir sind hier (II), chorale prelude for organ (Orgel-Büchlein No. 36),
                  BWV 634 (BC K63a)
      1708    Liebster Jesu, wir sind hier (III), chorale prelude for organ, BWV 706 (BC K116)
      1751    Liebster Jesu, wir sind hier (IV), chorale prelude for organ, BWV 730 (BC K133)
      1751    Liebster Jesu, wir sind hier (V), chorale prelude for organ, BWV 731 (BC K134)
      1740    Liebster Jesu, wir sind hier (VI), chorale prelude for organ, BWV 754
      1713    Lob sei dem allmächtigen Gott (I), chorale prelude for organ (Orgel-Büchlein No. 4),
                  BWV 602 (BC K31)
      1739    Lob sei dem allmächtigen Gott (II), chorale prelude for organ, BWV 704 (BC K153)
      1713    Lobt Gott, ihr Christen, allzugleich (I), chorale prelude for organ (Orgel-Büchlein No. 11),
                  BWV 609 (BC K38)
      1718    Lobt Gott, ihr Christen, allzugleich (II), chorale prelude for organ, BWV 732 (BC K117)
      1705    Machs mit mir, Gott, nach deiner Güt, chorale variation for organ, BWV 957 (BC K191)
      1746    March (Unbezeichnetes Stück), for keyboard in F major (AMN II/32; by Johann
                  Christian Bach, not JSB), BWV Anh. 131
      1725    March for keyboard in D major (by CPE Bach, not JSB; Anna Magdalena Clavier-
                  Büchlein No. 2/16), BWV Anh. 122
      1725    March for keyboard in E flat major (Anna Magdalena Clavier-Büchlein No. 2/23; doubtful),
                  BWV Anh. 127
      1725    March for keyboard in G major (by CPE Bach, not JSB; Anna Magdalena Clavier-
                  Büchlein No. 2/18), BWV Anh. 124
      1748    Meine Seele erhebet den Herren, chorale prelude for organ (Schübler Chorale No. 4),
                  BWV 648 (BC K25)
      1720    Minuet fait par Mons. Böhm, for keyboard No. 1 in G major (WFN 11, AMN I/11),
                  BWV 841 (BC L176/1)
      1725    Minuet for keyboard No. 1 in G major (AMN II/1; by Christian Pezold, not JSB),
                  BWV Anh. 114
      1725    Minuet for keyboard No. 14 in A minor (AMN II/14; doubtful), BWV Anh. 120
      1725    Minuet for keyboard No. 15 in C minor (AMN II/15; doubtful), BWV Anh. 121
      1720    Minuet for keyboard No. 2 in G minor, BWV 842 (BC L176/1)
      1725    Minuet for keyboard No. 3 in F major (AMN II/3; doubtful), BWV Anh. 113
      1720    Minuet for keyboard No. 3 in G major , BWV 843 (BC L176/3)
      1725    Minuet for keyboard No. 36 in D minor (AMN II/36; doubtful), BWV Anh. 132
      1725    Minuet for keyboard No. 5 in G minor (AMN II/5; by Christian Pezold, not JSB),
                  BWV Anh. 115
      1725    Minuet for keyboard No. 7 in G major (AMN II/7; doubtful), BWV Anh. 116
      1725    Minuet for keyboard No. 9 in B flat major (AMN II/9; doubtful), BWV Anh. 118
      1725    Minuets (2), for keyboard in G major & G minor (AMN II/1-2; by Christian Pezold,
                  not JSB), BWV Anh. 114-115
      1713    Mit Fried' und Freud' ich fahr dahin, chorale prelude for organ (Orgel-Büchlein No. 18),
                  BWV 616 (BC K45)
      1725    Musette for keyboard in D major (AMN II/22; doubtful), BWV Anh. 126
      1722    Notebook for Anna Magdalena Bach I, manuscript source of pieces (11) for keyboard
                  (AMN 1)
      1720    Notebook for Wilhelm Friedemann Bach, manuscript source of pieces (59) for
                  keyboard (WFN)
      1848    Nun bitten wir den heiligen Geist, chorale setting for organ (Körner Choralvorspiele,
                  doubtful), BWV deest
      1723    Nun danket alle Gott, chorale prelude for organ (Achtzehn Choräle No. 6),
                  BWV 657 (BC K80)
      1751    Nun freut euch, lieben Christen gmein (I), chorale prelude for organ, BWV 734 (BC K125)
      1715    Nun freut euch, lieben Christen gmein (II), chorale prelude for organ, BWV 734a
      1751    Nun freut euch, lieben Christen gmein (III), chorale prelude for organ, BWV 755
      1713    Nun komm der Heiden Heiland (I), chorale prelude for organ (Orgel-Büchlein No. 1),
                  BWV 599 (BC K28)
      1723    Nun komm der Heiden Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 8),
                  BWV 659 (BC K82)
      1715    Nun komm der Heiden Heiland (III), chorale fantasia for organ, BWV 659a
      1723    Nun komm der Heiden Heiland (IV), chorale prelude for organ (Achtzehn Choräle No. 10),
                  BWV 661 (BC K84)
      1715    Nun komm der Heiden Heiland (V), chorale prelude for organ, BWV 661a
      1739    Nun komm der Heiden Heiland (VI), chorale prelude for organ, BWV 699 (BC K155)
      1710    Nun lasst uns den Leib begraben, chorale prelude for organ (Neumeister Chorale No. 23),
                  BWV 1111 (BC K184)
      1749    Nun lob meine Seele, chorale prelude for organ (by J. G. Walther, not JSB), BWV Anh. 60
      1700    Nun ruhen alle Wälder, chorale prelude for organ, BWV 756 (BC K197)
      1751    O Gott, du frommer Gott, chorale partita for organ, BWV 767 (BC K95)
      1751    O Herre Gott, dein göttlich's Wort (I), chorale prelude for organ, BWV 757 (BC K126)
      1710    O Herre Gott, dein göttlich's Wort (II), chorale prelude for organ (Neumeister Chorale No. 22),
                  BWV 1110 (BC K183)
      1710    O Jesu, wie ist dein Gestalt, chorale prelude for organ (Neumeister Chorale No. 5),
                  BWV 1094 (BC K165)
      1713    O Lamm Gottes unschuldig (I), chorale prelude for organ (Orgel-Büchlein No. 20),
                  BWV 618 (BC K47)
      1723    O Lamm Gottes unschuldig (II), chorale prelude for organ (Achtzehn Choräle No. 5),
                  BWV 656 (BC K79)
      1715    O Lamm Gottes unschuldig (III), chorale prelude for organ, BWV 656a
      1715    O Lamm Gottes unschuldig (IV), chorale prelude for organ, BWV 1085 (BC K110)
      1710    O Lamm Gottes unschuldig (V), chorale prelude for organ (Neumeister Chorale No. 6),
                  BWV 1095 (BC K166)
      1708    O Lamm Gottes unschuldig (VIII), chorale prelude for organ, BWV deest
      1713    O Mensch, bewein' dein' Sünde gross, chorale prelude for organ (Orgel-Büchlein No. 24),
                  BWV 622 (BC K51)
      1713    O Trauerigkeit, o Herzeleid, chorale prelude for organ (Orgel-Büchlein No. 47; incomplete),
                  BWV Anh. 200 (BC K54)
      1751    O Vater, allmächtiger Gott, chorale prelude for organ, BWV 758 (BC K198)
      1705    Overture (Suite) for keyboard in F major, BWV 820 (BC L173)
      1735    Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2),
                  BWV 831
      1726    Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1)
      1726    Partita for keyboard No. 2 in C minor, BWV 826 (BC L2)
      1726    Partita for keyboard No. 3 in A minor, BWV 827 (BC L3)
      1726    Partita for keyboard No. 4 in D major, BWV 828 (BC L4)
      1726    Partita for keyboard No. 5 in G major, BWV 829 (BC L5)
      1726    Partita for keyboard No. 6 in E minor, BWV 830 (BC L6)
      1708    Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79)
      1720    Pastorale for organ in F major, BWV 590 (BC J81)
      1735    Pedal-Exercitium, for organ (probably by C.P.E. Bach; incomplete), BWV 598
      1725    Polonaise for keyboard in D minor (AMN II/24, doubtful), BWV Anh. 128
      1725    Polonaise for keyboard in F major (AMN II/8ab, doubtful), BWV Anh. 117ab
      1725    Polonaise for keyboard in G major (AMN II/28, by Johann Adolf Hasse, not JSB),
                  BWV Anh. 130
      1725    Polonaise for keyboard in G minor (AMN II/10, doubtful; perhaps by C.P.E. Bach),
                  BWV Anh. 119
      1725    Polonaise for keyboard in G minor (AMN II/24, by C.P.E. Bach, not JSB), BWV Anh. 123
      1725    Polonaise for keyboard in G minor (AMN II/24, by C.P.E. Bach, not JSB), BWV Anh. 125
      1714    Prelude (Fantasia), for keyboard in A minor, BWV 922 (BC L141)
      1713    Prelude (Fantasia), for keyboard in C minor, BWV 921 (BC J44, 52)
      1708    Prelude (Toccata) and Fugue, for organ in E major, BWV 566 (BC J17)
      1727    Prelude and Fughetta, for keyboard in C major (variant of BWV 870), BWV 870a
      1738    Prelude and Fughetta, for keyboard in C sharp major (variant of BWV 872), BWV 872a
      1726    Prelude and Fughetta, for keyboard in D minor (doubtful), BWV 899
      1726    Prelude and Fughetta, for keyboard in E minor, BWV 900 (BC L77)
      1730    Prelude and Fughetta, for keyboard in F major, BWV 901 (BC L78)
      1730    Prelude and Fughetta, for keyboard in G major, BWV 902 (BC L79)
      1727    Prelude and Fughetta, for keyboard in G major, BWV 902/1a
      1782    Prelude and Fugue on the name of "B-A-C-H," for keyboard in B flat major (doubtful;
                  perhaps by J.C. Kittel), BWV 898
      1710    Prelude and Fugue, for keyboard in A major, BWV 896 (BC L128)
      1715    Prelude and Fugue, for keyboard in A minor, BWV 894 (BC L130)
      1709    Prelude and Fugue, for keyboard in A minor, BWV 895 (BC L129)
      1722    Prelude and Fugue, for keyboard No. 1 in C major (WTC I/1), BWV 846 (BC L80)
      1740    Prelude and Fugue, for keyboard No. 1 in C major (WTC II/1), BWV 870 (BC L104)
      1722    Prelude and Fugue, for keyboard No. 10 in E minor (WTC I/10), BWV 855 (BC L89)
      1740    Prelude and Fugue, for keyboard No. 10 in E minor (WTC II/10), BWV 879 (BC L113)
      1722    Prelude and Fugue, for keyboard No. 11 in F major (WTC I/11), BWV 856 (BC L90)
      1740    Prelude and Fugue, for keyboard No. 11 in F major (WTC II/11), BWV 880 (BC L114)
      1722    Prelude and Fugue, for keyboard No. 12 in F minor (WTC I/12), BWV 857 (BC L91)
      1740    Prelude and Fugue, for keyboard No. 12 in F minor (WTC II/12), BWV 881 (BC L115)
      1722    Prelude and Fugue, for keyboard No. 13 in F sharp major (WTC I/13), BWV 858 (BC L92)
      1740    Prelude and Fugue, for keyboard No. 13 in F sharp major (WTC II/13), BWV 882 (BC L116)
      1722    Prelude and Fugue, for keyboard No. 14 in F sharp minor (WTC I/14), BWV 859 (BC L93)
      1740    Prelude and Fugue, for keyboard No. 14 in F sharp minor (WTC II/14), BWV 883 (BC L117)
      1722    Prelude and Fugue, for keyboard No. 15 in G major (WTC I/15), BWV 860 (BC L94)
      1740    Prelude and Fugue, for keyboard No. 15 in G major (WTC II/15), BWV 884 (BC L118)
      1722    Prelude and Fugue, for keyboard No. 16 in G minor (WTC I/16), BWV 861 (BC L95)
      1740    Prelude and Fugue, for keyboard No. 16 in G minor (WTC II/16), BWV 885 (BC L119)
      1722    Prelude and Fugue, for keyboard No. 17 in A flat major (WTC I/17), BWV 862 (BC L96)
      1740    Prelude and Fugue, for keyboard No. 17 in A flat major (WTC II/17), BWV 886 (BC L120)
      1722    Prelude and Fugue, for keyboard No. 18 in G sharp minor (WTC I/18), BWV 863 (BC L97)
      1740    Prelude and Fugue, for keyboard No. 18 in G sharp minor (WTC II/18), BWV 887 (BC L121)
      1722    Prelude and Fugue, for keyboard No. 19 in A major (WTC I/19), BWV 864 (BC L98)
      1740    Prelude and Fugue, for keyboard No. 19 in A major (WTC II/19), BWV 888 (BC L122)
      1722    Prelude and Fugue, for keyboard No. 2 in C minor (WTC I/2), BWV 847 (BC L81)
      1740    Prelude and Fugue, for keyboard No. 2 in C minor (WTC II/2), BWV 871 (BC L105)
      1722    Prelude and Fugue, for keyboard No. 20 in A minor (WTC I/20), BWV 865 (BC L99)
      1740    Prelude and Fugue, for keyboard No. 20 in A minor (WTC II/20), BWV 889 (BC L123)
      1722    Prelude and Fugue, for keyboard No. 21 in B flat major (WTC I/21), BWV 866 (BC L100)
      1740    Prelude and Fugue, for keyboard No. 21 in B flat major (WTC II/21), BWV 890 (BC L124)
      1722    Prelude and Fugue, for keyboard No. 22 in B flat minor (WTC I/22), BWV 867 (BC L101)
      1740    Prelude and Fugue, for keyboard No. 22 in B flat minor (WTC II/22), BWV 891 (BC L125)
      1722    Prelude and Fugue, for keyboard No. 23 in B major (WTC I/23), BWV 868 (BC L102)
      1740    Prelude and Fugue, for keyboard No. 23 in B major (WTC II/23), BWV 892 (BC L126)
      1722    Prelude and Fugue, for keyboard No. 24 in B minor (WTC I/24), BWV 869 (BC L103)
      1740    Prelude and Fugue, for keyboard No. 24 in B minor (WTC II/24), BWV 893 (BC L127)
      1722    Prelude and Fugue, for keyboard No. 3 in C sharp major (WTC I/3), BWV 848 (BC L82)
      1740    Prelude and Fugue, for keyboard No. 3 in C sharp major (WTC II/3), BWV 872 (BC L106)
      1722    Prelude and Fugue, for keyboard No. 4 in C sharp minor (WTC I/4), BWV 849 (BC L83)
      1740    Prelude and Fugue, for keyboard No. 4 in C sharp minor (WTC II/4), BWV 873 (BC 107)
      1722    Prelude and Fugue, for keyboard No. 5 in D major (WTC I/5), BWV 850 (BC L84)
      1740    Prelude and Fugue, for keyboard No. 5 in D major (WTC II/5), BWV 874 (BC L108)
      1722    Prelude and Fugue, for keyboard No. 6 in D minor (WTC I/6), BWV 851 (BC L85)
      1740    Prelude and Fugue, for keyboard No. 6 in D minor (WTC II/6), BWV 875 (BC L109)
      1722    Prelude and Fugue, for keyboard No. 7 in E flat major (WTC I/7), BWV 852 (BC L86)
      1740    Prelude and Fugue, for keyboard No. 7 in E flat major (WTC II/7), BWV 876 (BC L110)
      1722    Prelude and Fugue, for keyboard No. 8 in E flat minor (WTC I/8), BWV 853 (BC L87)
      1740    Prelude and Fugue, for keyboard No. 8 in E flat minor (WTC II/8), BWV 877 (BC L111)
      1722    Prelude and Fugue, for keyboard No. 9 in E major (WTC I/9), BWV 854 (BC L88)
      1740    Prelude and Fugue, for keyboard No. 9 in E major (WTC II/9), BWV 878 (BC L112)
      1708    Prelude and Fugue, for organ in A major, BWV 536 (BC J24)
      1715    Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42)
      1751    Prelude and Fugue, for organ in A minor (Acht kleine Praeludien und Fugen No. 7; doubtful),
                  BWV 559 (BC J34)
      1707    Prelude and Fugue, for organ in A minor, BWV 551 (BC J25)
      1751    Prelude and Fugue, for organ in B flat major (Acht kleine Praeludien und Fugen No. 8;
                  doubtful), BWV 560 (BC J35)
      1727    Prelude and Fugue, for organ in B minor, BWV 544 (BC J27)
      1751    Prelude and Fugue, for organ in C major (Acht kleine Praeludien und Fugen No. 1; doubtful),
                  BWV 553 (BC J28)
      1708    Prelude and Fugue, for organ in C major (early version), BWV 545a (BC J10)
      1705    Prelude and Fugue, for organ in C major, BWV 531 (BC J9)
      1712    Prelude and Fugue, for organ in C major, BWV 545 (BC J51)
      1725    Prelude and Fugue, for organ in C major, BWV 547 (BC J11)
      1723    Prelude and Fugue, for organ in C minor ("Arnstadt"), BWV 549 (BC J14)
      1723    Prelude and Fugue, for organ in C minor, BWV 546 (BC J12, 53, 69)
      1707    Prelude and Fugue, for organ in C minor, BWV 549a
      1710    Prelude and Fugue, for organ in D major ("Little"), BWV 532 (BC J13, 54, 70)
      1720    Prelude and Fugue, for organ in D minor ("Fiddle;" doubtful), BWV 539 (BC J15, 71)
      1751    Prelude and Fugue, for organ in D minor (Acht kleine Praeludien und Fugen No. 2; doubtful), BWV 554 (BC J29)
      1739    Prelude and Fugue, for organ in E flat major ("St. Anne;" Clavier-Übung III/26), BWV 552 (BC J16)
      1705    Prelude and Fugue, for organ in E minor ("Cathedral"), BWV 533 (BC J18)
      1727    Prelude and Fugue, for organ in E minor ("Wedge"), BWV 548 (BC J19)
      1751    Prelude and Fugue, for organ in E minor (Acht kleine Praeludien und Fugen No. 3; doubtful), BWV 555 (BC J30l)
      1730    Prelude and Fugue, for organ in E minor (variant revision), BWV 533a
      1751    Prelude and Fugue, for organ in F major (Acht kleine Praeludien und Fugen No. 4; doubtful), BWV 556 (BC J31)
1710    Prelude and Fugue, for organ in F minor, BWV 534 (BC J20)
1751    Prelude and Fugue, for organ in G major (Acht kleine Praeludien und Fugen No. 5; doubtful), BWV 557 (BC J32)
1712    Prelude and Fugue, for organ in G major, BWV 541 (BC J22)
1710    Prelude and Fugue, for organ in G major, BWV 550 (BC J21)
1751    Prelude and Fugue, for organ in G minor (Acht kleine Praeludien und Fugen No. 6; doubtful), BWV 558 (BC J33)
1705    Prelude and Fugue, for organ in G minor (fragment), BWV 535a
1705    Prelude and Fugue, for organ in G minor, BWV 535 (BC J23)
1708    Prelude and Partita, for keyboard in F major (by Bernardo Pasquini, not JSB), BWV 833 (BC L172)
1720    Prelude for keyboard in A minor (doubtful; perhaps by W. F. Bach), BWV 931
1726    Prelude for keyboard in A minor (Five Preludes No. 4; doubtful), BWV 942 (BC L73)
1725    Prelude for keyboard in B minor (by Wilhelm Hieronymous Pachelbel, not JSB), BWV 923 (BC L131)
1717    Prelude for keyboard in C major (5 Preludes No. 5), BWV 943 (BC L74)
1717    Prelude for keyboard in C major (Five Preludes No. 1), BWV 939 (BC L70)
1717    Prelude for keyboard in C major (Six Little Preludes No. 1), BWV 933 (BC L64)
1720    Prelude for keyboard in C major (WFN 14, variant of BWV 846), BWV 846a
1720    Prelude for keyboard in C major (WFN 25), BWV 924 (BC L57)
1720    Prelude for keyboard in C major (WFN 26, doubtful; attributed to "C. F. Richter"), BWV 924a
1717    Prelude for keyboard in C minor (Six Little Preludes No. 2), BWV 934 (BC L65)
1717    Prelude for keyboard in D major (Six Little Preludes No. 4), BWV 936 (BC L67)
1720    Prelude for keyboard in D major (WFN 27; disputed, perhaps by W.F. Bach), BWV 925
1717    Prelude for keyboard in D minor (Five Preludes No. 2), BWV 940 (BC L71)
1717    Prelude for keyboard in D minor (Six Little Preludes No. 3), BWV 935 (BC L66)
1726    Prelude for keyboard in D minor (variant of BWV 875), BWV 875a
1720    Prelude for keyboard in D minor (WFN 4), BWV 926 (BC L58)
1717    Prelude for keyboard in E major (Six Little Preludes No. 5), BWV 937 (BC L68)
1717    Prelude for keyboard in E minor (Five Preludes No. 3), BWV 941 (BC L72)
1717    Prelude for keyboard in E minor (Six Little Preludes No. 6), BWV 938 (BC L69)
1720    Prelude for keyboard in E minor (WFN 18; variant of BWV 855), BWV 855a
1720    Prelude for keyboard in E minor (WFN 28; disputed, perhaps by W.F. Bach), BWV 932 (BC L63)
1720    Prelude for keyboard in F major (WFN 10), BWV 928 (BC L60)
1720    Prelude for keyboard in F major (WFN 8), BWV 927 (BC L59)
1727    Prelude for keyboard in G major, BWV 902/1a
1720    Prelude for keyboard in G minor (WFN 9), BWV 930 (BC L62)
1705    Prelude for organ in A minor, BWV 569 (BC J48)
1781    Prelude for organ in C major (by J. L. Krebs, not JSB), BWV 567
1705    Prelude for organ in G major, BWV 568 (BC J47)
1751    Prelude, Trio and Fugue, for organ in B flat major, BWV 545b
1713    Puer natus in Bethlehem, chorale prelude for organ (Orgel-Büchlein No. 5), BWV 603 (BC K32)
1717    Rondo, for keyboard in B flat major (AMN II/6; by François Couperin not JSB), BWV Anh 183
1726    Sarabande con partite, for keyboard in C major, BWV 990
1735    Sarabande, for keyboard in G minor (doubtful), BWV 839
1723    Schmücke dich, o liebe Seele (I), chorale prelude for organ (Achtzehn Choräle No. 4), BWV 654 (BC K77)
1715    Schmücke dich, o liebe Seele (II), chorale prelude for organ, BWV 654a
1786    Schmücke dich, o liebe Seele (III), chorale prelude for organ (by G. A. Homilius, not JSB), BWV Anh. 74
1786    Schmücke dich, o liebe Seele (IV), chorale prelude for organ (by G. A. Homilius, not JSB), BWV 759
1748    Schübler Chorales (6), chorale preludes for organ, BWV 645-650 (BCK 22-27)
1710    Sei gegrüsset, Jesu gütig, chorale partita for organ, BWV 768 (BC K96)
1800    Sei Lob und Ehr (I), chorale prelude for organ (doubtful), BWV Anh. 62a
1800    Sei Lob und Ehr (II), chorale prelude for organ (doubtful), BWV Anh. 62b
1751    Six Little Preludes, for keyboard, BWV 933-938 (BC L64-69)
1754    Sonata arranged for keyboard in D minor (after BWV 1003, possibly by J.G. Müthel), BWV 964 (BC L184)
1705    Sonata for keyboard in A minor (after J. A. Reincken), BWV 965 (BC L187)
1705    Sonata for keyboard in A minor, BWV 967 (BC L183)
1705    Sonata for keyboard in C major (after J. A. Reincken), BWV 966 (BC L186)
1704    Sonata for keyboard in D major, BWV 963 (BC L182)
1736    Sonata for keyboard in E flat major (AMN II/27; by C.P.E. Bach, not JSB), BWV Anh. 129
1720    Suite for keyboard in A major (WFN 47; G. P. Telemann TWV 32:14, not JSB), BWV 824
1708    Suite for keyboard in A major, BWV 832 (BC L174)
1705    Suite for keyboard in A minor, BWV 818 (BC L25)
1720    Suite for keyboard in A minor, BWV 818a
1740    Suite for keyboard in B flat major (doubtful), BWV 821 (BC L169)
1725    Suite for keyboard in E flat major, BWV 819 (BC L26)
1720    Suite for keyboard in E flat major, BWV 819a
1715    Suite for keyboard in F minor (fragment), BWV 823 (BC L167)
1707    Suite for keyboard in G minor, BWV 822 (BC L168)
1722    The Well-Tempered Clavier (24), collection of preludes & fugues, Book I, BWV 846-869 (BC L80-103)
1740    The Well-Tempered Clavier (24), collection of preludes & fugues, Book II, BWV 870-893 (BC L104-127)
1722    The Well-Tempered Clavier (48), collection of preludes & fugues in 2 Books, BWV 846-893 (BC L80-127)
1720    Three-Part Invention (Sinfonia), for keyboard No. 1 in C major, BWV 787 (BC L42)
1720    Three-Part Invention (Sinfonia), for keyboard No. 10 in G major, BWV 796 (BC L51)
1720    Three-Part Invention (Sinfonia), for keyboard No. 11 in G minor, BWV 797 (BC L52)
1720    Three-Part Invention (Sinfonia), for keyboard No. 12 in A major, BWV 798 (BC L53)
1720    Three-Part Invention (Sinfonia), for keyboard No. 13 in A minor, BWV 799 (BC L54)
1720    Three-Part Invention (Sinfonia), for keyboard No. 14 in B flat major, BWV 800 (BC L55)
1720    Three-Part Invention (Sinfonia), for keyboard No. 15 in B minor, BWV 801 (BC L56)
1720    Three-Part Invention (Sinfonia), for keyboard No. 2 in C minor, BWV 788 (BC L43)
1720    Three-Part Invention (Sinfonia), for keyboard No. 3 in D major, BWV 789 (BC L44)
1720    Three-Part Invention (Sinfonia), for keyboard No. 4 in D minor, BWV 790 (BC L45)
1720    Three-Part Invention (Sinfonia), for keyboard No. 5 in E flat major, BWV 791 (BC L46)
1720    Three-Part Invention (Sinfonia), for keyboard No. 6 in E major, BWV 792 (BC L47)
1720    Three-Part Invention (Sinfonia), for keyboard No. 7 in E minor, BWV 793 (BC L48)
1720    Three-Part Invention (Sinfonia), for keyboard No. 8 in F major, BWV 794 (BC L49)
1720    Three-Part Invention (Sinfonia), for keyboard No. 9 in F minor, BWV 795 (BC L50)
1720    Three-Part Inventions (Sinfonias) (15), for keyboard BWV 787-801 (BC L42-56)
1712    Toccata and Fugue, for organ in D minor ("Dorian"), BWV 538 (BC J38)
1708    Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
1713    Toccata and Fugue, for organ in F major, BWV 540 (BC J39, 55, 73)
1714    Toccata for keyboard in C minor, BWV 911 (BC L142)
1710    Toccata for keyboard in D major, BWV 912 (BC L143)
1708    Toccata for keyboard in D minor, BWV 913 (BC L144)
1710    Toccata for keyboard in E minor, BWV 914 (BC L145, 163)
1712    Toccata for keyboard in F sharp minor, BWV 910 (BC L146)
1714    Toccata for keyboard in G major, BWV 916 (BC L147)
1710    Toccata for keyboard in G minor, BWV 915 (BC L148)
1657    Toccata quasi Fantasia con Fuge, for organ in A major (by M. Rossi and/or H. Purcell, not JSB), BWV Anh .178
1712    Toccata, Adagio and Fugue, for organ in C major, BWV 564 (BC J36)
1730    Trio for organ in G major (arrangement, possibly by Kellner), BWV 1027a
1730    Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1)
1730    Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2)
1730    Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3)
1730    Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4)
1730    Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5)
1730    Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6)
1723    Trio super Allein Gott in der Höh sei Ehr, chorale prelude for organ, BWV 664 (BC K87)
1723    Trio super Herr Jesu Christ, dich zu uns wend (I), chorale prelude for organ (Achtzehn Choräle No. 4), BWV 655 (BC K78)
1718    Trio super Herr Jesu Christ, dich zu uns wend (II), chorale prelude for organ ("Weimar version"), BWV 655a
1735    Trio super Herr Jesu Christ, dich zu uns wend (III), chorale prelude for organ, BWV 655b
1751    Trio super Herr Jesu Christ, dich zu uns wend (IV), chorale prelude for organ, BWV 655c
1723    Trio super Nun komm der Heiden Heiland (I), chorale prelude for organ (Achtzehn Choräle No. 9), BWV 660 (BC K83)
1718    Trio super Nun komm der Heiden Heiland (II), chorale prelude for organ ("Weimar version)", BWV 660a
1763    Trio super Nun komm der Heiden Heiland (III), chorale prelude for organ (disputed, possibly by J. T. Krebs), BWV 660b
1720    Trio, for keyboard in G minor (WFN 48), BWV 929 (BC L61)
1730    Trio, for organ in C minor (after Fasch), BWV 585
1723    Trio, for organ in D minor, BWV 583 (BC J8)
1730    Trio, for organ in G major (adaptation of theme by G.P. Telemann, doubtful), BWV 586
1842    Trio, for organ in G minor (based on JSB, inauthentic), BWV 584
1720    Two-Part Invention, for keyboard No. 1 in C major, BWV 772 (BC L42)
1720    Two-Part Invention, for keyboard No. 10 in G major, BWV 781 (BC L51)
1720    Two-Part Invention, for keyboard No. 11 in G minor, BWV 782 (BC L52)
1720    Two-Part Invention, for keyboard No. 12 in A major, BWV 783 (BC L53)
1720    Two-Part Invention, for keyboard No. 13 in A minor, BWV 784 (BC L54)
1720    Two-Part Invention, for keyboard No. 14 in B flat major, BWV 785 (BC L55)
1720    Two-Part Invention, for keyboard No. 15 in B minor, BWV 786 (BC L56)
1723    Two-Part Invention, for keyboard No. 1a in C major, BWV772a
1720    Two-Part Invention, for keyboard No. 2 in C minor, BWV 773 (BC L43)
1720    Two-Part Invention, for keyboard No. 3 in D major, BWV 774 (BC L44)
1720    Two-Part Invention, for keyboard No. 4 in D minor, BWV 775 (BC L45)
1720    Two-Part Invention, for keyboard No. 5 in E flat major, BWV 776 (BC L46)
1720    Two-Part Invention, for keyboard No. 6 in E major, BWV 777 (BC L47)
1720    Two-Part Invention, for keyboard No. 7 in E minor, BWV 778 (BC L48)
1720    Two-Part Invention, for keyboard No. 8 in F major, BWV 779 (BC L49)
1720    Two-Part Invention, for keyboard No. 9 in F minor, BWV 780 (BC L50)
1720    Two-Part Inventions (15), for keyboard, BWV 772-786 (BC L42-56)
1715    Valet will ich dir geben, chorale prelude for organ, BWV 736 (BC K131)
1713    Vater unser im Himmelreich (I), chorale prelude for organ (Orgel-Büchlein No. 38), BWV 636 (BC K65)
1739    Vater unser im Himmelreich (II), chorale prelude for organ (Clavier-Übung No. 14), BWV 682 (BC K14)
1739    Vater unser im Himmelreich (III), chorale prelude for organ (Clavier-Übung No. 145), BWV 683 (BC K15)
1710    Vater unser im Himmelreich (IV), chorale prelude for organ, BWV 737 (BC K112)
1715    Vater unser im Himmelreich (V), chorale prelude for organ, BWV 762 (BC K113)
1734    Vater unser im Himmelreich (VI), chorale prelude for organ (by Georg Böhm, not JSB), BWV 760
1734    Vater unser im Himmelreich (VII), chorale prelude for organ (by Georg Böhm, not JSB), BWV 761
1747    Verschiedene Canones (14), for unspecified instruments or keyboard, BWV 1087
1747    Vom himmel hoch, da komm ich her (I), canonic variations on the Christmas hymn for organ, BWV 769
1713    Vom Himmel hoch, da komm ich her (I), chorale prelude for organ (Orgel-Büchlein No. 8), BWV 606 (BC K35)
1747    Vom himmel hoch, da komm ich her (II), canonic variations on the Christmas hymn for organ (early version), BWV 769a
1708    Vom Himmel hoch, da komm ich her (II), chorale prelude for organ, BWV 700 (BC K156)
1739    Vom Himmel hoch, da komm ich her (III), chorale prelude for organ, BWV 701 (BC K157)
1718    Vom Himmel hoch, da komm ich her (IV), chorale prelude for organ, BWV 738 (BC K118)
1718    Vom Himmel hoch, da komm ich her (V), chorale prelude for organ, BWV 738a
1751    Vom Himmel hoch, da komm ich her (VI), chorale prelude for organ (doubtful), BWV Anh. 63
1751    Vom Himmel hoch, da komm ich her (VII), chorale prelude for organ (doubtful), BWV Anh. 64
1713    Vom Himmel kam der Engel schar, chorale prelude for organ (Orgel-Büchlein No. 9), BWV 607 (BC K36)
1718    Von Gott will ich nicht lassen, chorale fantasia for organ, BWV 658a
1723    Von Gott will ich nicht lassen, chorale prelude for organ (Vehrzehn Choräle No. 7), BWV 658 (BC K81)
1723    Vor deinen Thron tret ich hiermit (I), chorale prelude for organ (Achtzehn Choräle No. 18), BWV 668 (BC K91)
1750    Vor deinen Thron tret ich hiermit (II), chorale prelude for organ, BWV 668a
1748    Wachet auf, ruft uns die Stimme, chorale prelude for organ (Schübler Chorale No. 1), BWV 645 (BC K22)
1850    Wachet auf, ruft uns die Stimme, chorale prelude for organ, BWV Anh. II 66 (doubtful)
1710    Was Gott tut, das ist wohlgetan (I), chorale prelude for organ (Neumeister Chorale No. 27), BWV 1116 (BC K189)
1800    Was Gott tut, das ist wohlgetan (II), chorale prelude for organ (doubtful), BWV Anh. 67
1710    Wenn dich Unglück tut greifen an, chorale prelude for organ (Neumeister Chorale No. 15), BWV 1104 (BC K177)
1766    Wenn wir in höchsten Nöten sein, chorale partita for organ (doubtful), BWV Anh. 78
1713    Wenn wir in höchsten Nöten sein, chorale prelude for organ (Orgel-Büchlein No. 43), BWV 641 (BC K70)
1713    Wer nur den lieben Gott lässt walten (I), chorale prelude for organ (Orgel-Büchlein No. 44), BWV 642 (BC K71)
1748    Wer nur den lieben Gott lässt walten (II), chorale prelude for organ (Schübler Chorale No. 3), BWV 647 (BC K24)
1705    Wer nur den lieben Gott lässt walten (III), chorale prelude for organ, BWV 690 (BC K127)
1720    Wer nur den lieben Gott lässt walten (IV), chorale prelude for organ (WFN 3, AMN II/11), BWV 691 (BC K99)
1749    Wer nur den lieben Gott lässt walten (V), chorale prelude for organ (doubtful), BWV 691a
1749    Wer nur den lieben Gott lässt walten (VI), chorale prelude for organ (doubtful), BWV Anh. 68
1710    Werde munter, mein Gemüte, chorale prelude for organ (Neumeister Chorale No. 30), BWV 1118 (BC K192)
1710    Wie nach einer Wasserquelle, chorale prelude for organ (Neumeister Chorale No. 31), BWV 1119 (BC K193)
1705    Wie schön leuchtet uns der Morgenstern (I), chorale prelude for organ, BWV 739 (BC K97)
1737    Wie schön leuchtet uns der Morgenstern (II), chorale prelude for organ (doubtful), BWV 763
1705    Wie schön leuchtet uns der Morgenstern (III), chorale prelude for organ (incomplete), BWV 764 (BC K98)
1708    Wir Christenleut habn jetzund Freud, chorale prelude for organ, BWV 710
1713    Wir Christenleut' (I), chorale prelude for organ (Orgel-Büchlein No. 14), BWV 612 (BC K41)
1710    Wir Christenleut' (II), chorale prelude for organ (Neumeister Chorale No. 1), BWV 1090 (BC K161)
1713    Wir danken dir, Herr Jesu Christ, chorale prelude for organ (Orgel-Büchlein No. 25), BWV 623 (BC K52)
1739    Wir glauben all an einen Gott (I), chorale prelude for organ, BWV 680 (BC K12)
1718    Wir glauben all an einen Gott (II), chorale prelude for organ, BWV 765 (BC K105)
1710    Wir glauben all an einen Gott (III), chorale prelude for organ (Neumeister Chorale No. 9), BWV 1098 (BC K169)
1781    Wir glauben all an einen Gott (IV), chorale prelude for organ (by J. L. Krebs, not JSB), BWV 740
1800    Wir glauben all an einen Gott (V), chorale prelude for organ (doubtful), BWV Anh. 69
1790    Wir glauben all an einen Gott (VI), chorale prelude for organ (doubtful), BWV Anh. 70
    Wo Gott der Herr nicht bei uns hält, chorale fantasia for organ, BWV 1128 (formerly BWV Anh. II 71)
1748    Wo soll ich fliehen hin (I), chorale prelude for organ (Schübler Chorale No. 2), BWV 646 (BC K23)
1708    Wo soll ich fliehen hin (II), chorale prelude for organ, BWV 694 (BC K139)
1705    Zwei Varianten zum Adagio-Satz von BWV 912 (Toccata), for keyboard in D major, BWV 912a

Sumber : Wikipedia